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This text presents documents drawn from the artistic archives of Eastern and Central Europe during the second half of the 20th century.
Of Mice and Men ISBN 3-7757-1765-X / 978-3-7757-1765-6 Hardcover, 8 x 11 in. / 344 pgs / 250 color. / U.S. $40.00 CDN $48.00 August / Art
This anthology provides a multivocal critique of exhibitions of contemporary art, bringing together the writings of artists, curators and theorists. Collectively these diverse perspectives are united by the notion that if the focus for modernist discussion was individual works of art, it is the exhibition that is the prime cultural carrier of contemporaneity. The texts encompass exhibition design and form; exhibitions that are object-based, live or discursive; projects that no longer rely on a physical space to be visited in person; artists' responses to being curated, and their reflections on the potential of acting curatorially. Set against the rise of the curator as an influential force in the contemporary art world, this volume underlines the crucial role of artists in questioning and shaping the phenomenon of the exhibition.
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"This catalogue to accompany the museum exhibition traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts. Significantly, "Ends of the Earth" challenges many myths about Land art--that it was primarily a North American phenomenon, that it was foremost a sculptural practice, and that it exceeds the confines of the art system. Featuring over 100 artists hailing from countries including Great Britain, Germany, Iceland, Israel, Japan, the Netherlands, and the United States, the exhibition constitutes the most comprehensive survey of Land art to date"--Provided by publisher.
Widely acknowledged as the international centre of the unified European Community, Brussels inaugurates its first contemporary art biennial in 2008. Characterized by its intuitive insight into the art scene of the highly urbanized region between the Netherlands, Belgium, France and parts of Germany, the biennial takes place from October 2008 through January 2009. With contributions from more than 40 international artists, the biennial incorporates exhibitions by experimental art institutions located in two deserted buildings along the North-South railway axis in Brussels. The first edition of the Brussels Biennial is the result of a collaboration that crosses traditional boundaries between b...
Introduction by Daniel Birnbaum. Edited by Anton Vidokle. Text by Hans-Ulrich Obrist.
Известный историк искусства, художник и куратор Терри Смит, работающий в Австралии и США, автор ряда исследований о концептуализме, а также о теории и практике курирования выставок современного искусства, собрал под одной обложкой обстоятельные беседы с наиболее влиятельными кураторами современности — от Джермано Челанта до Бориса Гройса, снабдившего книгу предисловием к русскому изданию. Взятые автором интервью станут источником ценной информации для всех, занимающихся и интересующихся современным искусством.
Narrations features a cross-generational sampling of works by artists from Austria and its neighboring countries. The publication, in association with an exhibition at Kuntzhaus Graz, weaves together the narratives of artists younger than 35 and older than 65.