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Picture Perfect
Previously published as 'Picture Perfect' by Noct Moll. The camera: the neutral eye. Always fair, always just... ...when in the right hands. Ever since her parents died, Mina Park wishes for one thing and one thing only: the safety and happiness of her younger sister. Once the sisters reach adulthood and they move away from their unkind relatives, the situation improves. They have their own place. They save money. They stand by each other. But a terrible revelation ruins the budding possibilities of a happy future. A blackmailer threatens Mina’s sister. Someone recorded what never should have been recorded. The upload must be stopped.
Picture Perfect
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Museum of Earth Art
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Destination: Detour
A life in service of a greater good is a life worth living... ...at any cost? Aria, an aidbot technician, once again finds herself at the airport. She's ready to leave this city behind and go wherever the next available flight takes her to. Nothing holds her back. Sometimes that's freeing. But mostly, she feels terribly restless. Lucky her, because she runs into the great bot engineer Antonius Wang. And when she sees that this old man needs help due to his malfunctioning aidbot, she gladly volunteers. Clearly, this encounter is mean-to-be. Problem: Mr. Wang's aidbot is 200 grams overweight and isn't allowed on any aircraft. And because of those 200 grams, Aria's travel plans take terribly unexpected turns in a world of intelligent bots, replaceable humans, and some beings in-between...
Museum of Earth Art
One person's trash is another person's treasure. But not all treasures are created equal in a crowded starship. Ophelia guards the treasures of the Earth, a.k.a. stuff deemed trash on U.S.S. Ithaka. Every day, the thugs hammer on the door of the Museum of Earth Art, demanding that she vacate the only room that the museum currently occupies so that people can take up that space instead. But more than Ophelia knows depends on her protecting this room full of junk.
Destination: Detour
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A Critical Companion to Terry Gilliam
A Critical Companion to Terry Gilliam provides a fresh, up-to-date exploration of the director’s films and artistic practices, ranging from his first film Monty Python and the Holy Grail (1975) to his recently released and latest film The Man Who Killed Don Quixote (2018). This volume presents Gilliam as a director whose films weave together an avant-garde cinematic style, imaginative exaggeration, and social critique. Consequently, while his films can seem artistically chaotic and thus have the effect of frustrating and upsetting the viewer, the essays in this volume show that this is part of a very disciplined creative plan to achieve the defamiliarization of various accepted notions of human and social life.
Because They Don't Bleed Red
He's just a delivery guy walking the surface of the earth... ...in an era when humans don't rule there anymore. Overcast skies. Greasy roads. Endless sonic tension. That's the cold reality a young man must face when he wants to get anywhere above-ground these days. It's a risk. It can get deadly. Yet he must rise above the shield of safety to protect his loved ones. If only the machine overlords wouldn't notice.
Band 1
“Band 1” is a chronological collection of previously published short stories by Ithaka O. - - - List of stories in this collection - Moonlight Through the Manhole - To Me Who Is Useless - Because They Don’t Bleed Red - Silver Lining - Replaceables - Museum of Earth Art
