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Imitation (Routledge Revivals)
In this book, first published in 1984, Joel Weinsheimer advocates revitalizing the practice of imitating literature as a mode appropriate for literary critics as well as artists. The book is not only about imitation; it is itself an imitation, specifically of Samuel Johnson. As both the focus and mode of presentation, imitation is presented not merely as a kind of poetry that once flourished in the eighteenth century but also as a kind of criticism particularly relevant today. Applying arguments from philosophy of science, deconstruction, psycho-analysis, literary theory, semiotics and hermeneutics, Weinsheimer shows that the three main currents of thought responsible for forcing imitation underground were empiricism, originalism and historicism. The three central chapters of the book concentrate on their representatives: John Locke, Edward Young and Thomas Warton. The author then applies Johnsonian arguments – supported by those of Gadamer Peirce – to challenge those objections and re-establish imitation as an intellectually defensible mode of writing.
Copycats
In the business world, imitation gets a bad rap. We see imitating firms as ?me too? players, forced to copy because they have nothing original to offer. We pity their fate: a life of picking up crumbs discarded by innovators striding a path paved with fame and profit. In Copycats, Oded Shenkar challenges this viewpoint. He reveals how imitation?the exact or broad-brushed copying of an innovation?is as critical to prosperity as innovation. Shenkar shows how savvy imitators generate huge profits. They save not only on R&D costs but also on marketing and advertising investments made by first movers. And they avoid costly errors by observing and learning from others? trials. Copycats presents suggestions for making imitation a core element in your competitive strategy and pairing it powerfully with innovation, including: · How to select the right model to imitate · How to avoid oversimplification of a model · Which imitation strategy to use · How to prepare and execute an implementation plan Engaging, practical, and rich in company examples, Copycats unveils how to add imitation to your competitive arsenal.
Imitation is Limitation
'My mother said to me, 'If you become a soldier you'll become a general; if you become a monk you'll end up as the pope.' Instead, I became a painter and wound up as Picasso.' - Picasso Trust your own instincts. Your mistakes might as well be your own, instead of someone else's. Be yourself - who else is better qualified? No one has ever become great by imitation: Imitation is Limitation. Don't be a copy of something. Make your own impression. Dare to be who are you.
The Poetics of Imitation
Western literature knows the anacreontic poems best in the translations or adaptations of such poets as Ronsard, Herrick and Goethe. This collection of poems, once assumed to be the work of Anacreon himself, was considered unworthy of serious attention after the poems were proved to be late Hellenistic and early Roman imitations by anonymous writers. This full-length treatment of the anacreontic corpus, first published in 1992, explores the complex poetics of imitation which inspired anacreontic composition for so many centuries in antiquity. The author reassesses Anacreon's own oeuvre, and then discusses the system of selective imitation practised by the anacreontic poets. The book explores what light the corpus can shed on ancient literary genres, intertextual influences, and the literary manifestations of symposiastic and erotic ideals in a post-classical society which looks back to an archaic model as its guiding force.A full translation of the anacreontic collection is included as an appendix and all Greek and Latin is translated.
Imitation and Education
Imitation and Education provides an in-depth reassessment of learning by example that places imitation in a larger social context. It is the first book to bring together ancient educational thought and startling breakthroughs in the fields of cognitive science, psychology, and philosophy to reconsider how we learn from the lives of others. Bryan R. Warnick addresses how we become exemplars, analyzes how exemplars inspire imitation, and assesses the meaning and value of imitation in education and society, including how teachers can better use examples and what should be done about problems such as the imitation of media violence. Warnick constructs a provocative, cautionary, yet hopeful account of learning by example that acknowledges the power of social contexts in shaping human lives.
The Laws of Imitation
This fascinating book contains a detailed treatise on the laws of imitation, being an exposition on the science, history, and philosophy of intimation as an important social phenomenon. This thorough treatment of the subject will greatly appeal to those with a keen interest in sociology and psychology, and it is a must-have for fans and collectors of Gabriel Tarde's influential work. The chapters of this book include: 'Universal Repetition', 'Social Resemblances and Imitation', 'What is a Society?', 'Archeology and Statistics', 'The Logical Laws of Imitation', 'Extra-Logical Influences', 'Remarks and Corollaries', etcetera. Jean-Gabriel De Tarde (1843 – 1904) was a French sociologist, criminologist and social psychologist who maintained that sociology is based on the minute psychological interactions between individuals. The fundamental forces in these interactions are 'imitation' and 'innovation'. We are republishing this antiquarian book now in an affordable, modern edition complete with a specially commissioned new biography of the author.
Mimesis on the Move
On pp. 47-51, "Fifth Scenario: The Nazi and His Jew", discusses Adorno's theory of mimesis applied to the phenomenon of Nazi antisemitism. Influenced by Freud's theory, Adorno discussed in "Dialektik der Aufklärung" (1947) the Nazi phobic and distorted image of the Jew. In Adorno's interpretation, the imaginary portrait of the Jew created by the Nazis is in fact their self-portrait, expressing their longing for unlimited power and identification with an imaginary aggressor in order to be themselves the real aggressor.
Imitation in Animals and Artifacts
An interdisciplinary overview of current research on imitation in animals and artifacts.
