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Post-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain in London the book develops a conceptual reconfiguration of the relationship between art, culture and society in which questions about the art museum’s relationship to global migration and the new media ecologies are examined. It suggests that whilst European museums have previously been studied as institutions of collection, heritage and trad...
"This book uncovers a largely overlooked strand of American modernism in Cornell's work that engaged with current issues through the metaphysical aspects of vernacular objects and experiences"--
Features work by Darren Almond, Walead Beshty, Marcus Coates, Spartacus Chetwynd, Subodh Gupta, Rachel Harrison, Nathaniel Mellors, David Noonan, Olivia Plender, Seth Price, Navin Rawanchaikul, Simon Starling, and other artists.
"David Adjaye, a major international figure in architecture and design, transforms complex ideas into approachable, innovative structures. The book contains an introduction by Okwui Enwezor and Zèoe Ryan; an essay by Adjaye himself; analyses of his master plans, transnational architecture, monuments and memorials, and the National Museum of African American History and Culture in Washington, D.C.; and portfolios of his work, grouped by theme"--
"Migration throws objects, identities and ideas into flux across a global network of travelling cultures. Examining life-changing journeys that transplanted artists and intellectuals from one cultural context to another, Exiles, Diasporas & Strangers offers a thematic overview of the critical and creative role of estrangement and displacement in the story of 20th-century art.Revealing the traumatic conditions that shaped numerous variants of modernism – among indigenous artists in Australia and Canada as much as émigré art historians from Central Europe – these critical studies also highlight multidirectional patterns of cross-appropriation that trouble the settled boundaries of national belonging, whether manifested in 1920s Nigeria or in post-modern works by black British artists of the 1980s. Coming up to date with historical perspectives on conceptual art’s engagement with alterity, Exiles, Diasporas & Strangers makes a unique contribution to art history’s rapprochement with the post-colonial turn.--
Moments of crisis and innovation in modernism's cross-cultural past, from the reception of modernist art in colonial India to the experience of African American artists in the New York art world of the 1950s. This first book in the Annotating Art's Histories series revisits the period in which modernist attitudes took shape, examining the ways in which a shared history of art and ideas was experienced in different nations and cultures. Original essays by leading art historians and curators trace the dynamic interplay of cultures across the story of modern art, looking at moments of crisis and innovation in modernism's cross-cultural past. An account of colonialism and nationalism in Indian a...
How does pop art translate across cultures? What does pop art look like through a postcolonial lens? This volume casts light on the aesthetics and politics of pop by taking a cross-cultural perspective on what happens when everyday objects are taken out of one context and repositioned in the language of art.
The British painter Chris Ofili was born in Manchester in 1968 and is one of the most notable painters of his generation. This book illustrates works from throughout Ofili's career.