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This book maps the field of seventeenth-century women's writing in Spanish, English, and French and situates the work of Sor Juana more clearly within that field. It holds up the multi-layered, proto-feminist writings of Sor Juana as a meaningful lens through which to focus the literary production of her female contemporaries. Merrim's book advances the integration of Hispanic women authors and women's issues into the panorama of early modern women's writing and opens up unexplored commonalities between Sor Juana and her sister writers. Early modern women writers whose works are explored include Marie de Gournay, Margaret Fell Fox, Catalina de Erauso, Maria de Zayas, Ana Caro, Mme de Lafayet...
This book brings together the portraits and autobiographical texts of six 17th-century Latin American women, drawing on primary sources that include Inquisition and canonization records, confessional and mystic journals, and legal defenses and petitions.
The seventeenth-century Mexican poet, playwright and nun, Sor Juana Inés de la Cruz, is best known for her secular works, most notably her damning indictment of male double standards, Hombres necios (Stupid Men). However, her autos sacramentales (allegorical one-act plays on the Eucharist) have received little attention, and have only been discussed individually and out of sequence. By examining them as a collection, in their original order, their meaning and importance are revealed. The autos combine Christian and classical ‘pagan’ imagery from the ‘Old World’ with the conquest and conversion of the ‘New World’. As the plays progress, the mystery of Christ’s ‘greatest gift’ to mankind is deciphered and is mirrored in Spain’s gift of the True Faith to the indigenous Mexicans. Sor Juana’s own image is also situated within this baroque landscape: presented as a triumph of Spanish imperialism, an exotic muse between two worlds.
Constructing and controlling women in colonial South America
Called the "Quintessence of the Baroque" and "Bridge to the Enlightenment," Mexican writer and nun Sor Juana Inés de la Cruz has also been celebrated as the "First Feminist of the New World." Feminist Perspectives on Sor Juana Inés de la Cruz fills a gap in the scholarship on Sor Juana by exploring the implications of her feminist staus in literary and cultural terms. Editor Stephanie Merrim's introduction surveys key issues in Sor Juana criticism from a feminist literary perspective and suggests a blueprint for future studies. Essays by Dorothy Schons and Asunción Lavrin reconstitute essential dimensions or Sor Juana's world, addressing biographical questions about the norms and values of religious life. Moving from social norms to their verbal expression, Josefina Ludmer reads Sor Juana's Respuesta for its stratagems of resistance, and Stehanie Merrim uncovers in Sor Juana's theater the encoded drama of the conflicted creative woman.
On September 17, 1804, Mission Santa Inés became the 19th mission in California. Although Mission Santa Inés was smaller than the other missions, it was a major producer of goods. The friars taught the locals many trades, and the Indians continued to put their own skills to use. The missions warehouse was filled with many kinds of products that they made, including animals hides, tallow for candles and soap, cloth woven from wool, and dairy products. The content provided in this book, aligned to California state standards, will provide students with a greater insight into the story of Santa Inés and of Californias mission system. This book is filled with excellent primary source materials and visuals, including illustrations, paintings, and maps.
The interest in Mexican Hieronimite nun, Sor Juana Ines de la Cruz (1648-1695) is reaching extraordinary new levels. She has been the subject of plays, a feature film, scholarly conferences, books and articles. Nobel Laureate, poet Octavio Paz, has called her one of the great poets of the Spanish language and considers her Response to Sor Philotea de la Cruz to be the first intellectual autobiography in the Hispanic world. At her death in 1695, Sor Juana was an internationally-known poet, dramatist and religious writer. Today, she is still considered an exceptional lyric poet and one of the great writers of Spain's siglo de oro, its Golden Age of drama. Included here are: religious songs and...
Sor Juana’s Respuesta a sor Filotea (1691) is one of her most widely read works and an established text in the history of women’s writing. Less frequently studied is the epistolary exchange to which it responds, particularly Juana’s Crisis sobre un sermón (or Carta atenagórica, 1690), her response to a sermon by the Portuguese Jesuit Antonio Vieira on Christ’s greatest fineza, or demonstration of love. In the Crisis, Sor Juana puts into practice what she would later argue in the Respuesta: that women could, and should, engage in theological study, and that a woman’s well-reasoned argument would defeat any man’s ill-founded and unorthodox thought. This is the first annotated, cr...
Sor Juana Inés de la Cruz (1648-1695) wrote poetry, prose, and plays and is considered the greatest of Mexican women writers. She was an intellectual prodigy, reportedly mastering Latin in twenty lessons, and at sixteen she entered a convent so that she might continue her learning. One of the most influential early feminists in the New World, she answered a bishop's criticism in a letter that has become a classic defense of the education of women. She collected a private library of 4,000 volumes, but when she was told that her studies were delaying the progress of her spiritual education, she gave away her books and devoted herself to religious studies. Traditionally, scholars have attribut...
A complete and up-to-the-minute history of lovely Santa Ines Mission. Here is the readable story of the planning and building , expansion, rise, and near ruin of the old Mission. In setting in beautiful Santa Inez Valley has scarcely changed in character and appearance since the Franciscan fathers set the holy cross on the Mission site more than 150 years ago. Here is a picture story in chronological sequence of the exterior of the Mission, from the earliest known drawing in 1851 to the present day. Here, too, is a description of the wall decorations untouched since 1820. See the rare collection of Spanish and Colonial and Mexican art to be found within the Mission Walls. Read the description of all art objects ranging from the statue of the patron saint to historic copper and wood work of neophyte Indians. Each important piece is illustrated photographically. Learn how important political events in California history were interwoven with the history of this Mission. See also the glossary of liturgical and religious terms, the brief biographies of saints whose pictures may be seen at the Mission. A reference and guide to the Mission is included.