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Doug Aitken
Art is one of the tools we have to sculpt time and create experiences that are highly concentrated, or open and infinite. - Doug Aitken American artist Doug Aitken is internationally recognised for his ambitious practice that incorporates objects, installations, photographs and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery and sound. Aitken has realised museum projects around the world, as well as monumental interventions within the natural landscape and below the ocean's surface. This beautifully designed book encompasses the breadth of Aitken's artistic practice and is produced on the occasion of his survey at the Museum of Contemporary Art (MCA) Australia. Edited by chief curator Rachel Kent, it features a series of in-depth interviews that provide fascinating insights into Aitken's creative thinking and his wider engagement with the creative communities around him; and a series of image plates documenting his acclaimed museum works, landscape interventions and live happenings. Informative and visually compelling, it is sure to be a favourite among Aitken's collectors, as well as those interested in contemporary art.
Eureka!
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The Making of Indigenous Australian Contemporary Art
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Studio
'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.
Antipodean Currents
Antipodean currents: ten contemporary artists from Australia.
Contemporary Australia
A major, fully illustrated publication featuring more than 50 essays on the work of contemporary Australian artists has been produced in conjunction with 'Contemporary Australia: Optimism'. The publication includes engaging essays by authors John Birmingham and Melissa Lucashenko, filmmaker Elissa Down and Queensland Art Gallery staff. It is available in hard and soft cover from the Gallery Store and online at www.australianartbooksonline.com.au
Contemporary Australia
A major, fully illustrated publication featuring more than 50 essays on the work of contemporary Australian artists has been produced in conjunction with 'Contemporary Australia: Optimism'. The publication includes engaging essays by authors John Birmingham and Melissa Lucashenko, filmmaker Elissa Down and Queensland Art Gallery staff. It is available in hard and soft cover from the Gallery Store and online at www.australianartbooksonline.com.au
