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Lisa Yuskavage
Lisa Yuskavage's disturbing mélange of babylike women in worlds of lush, saturated colors which belie a dark psychological space just short of fetishism are documented in this catalogue, which includes an essay by Faye Hirsh and an interview with Yuskavage by artist Chuck Close.OUT OF PRINT.
Ulysses Jenkins
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Judith Schaechter
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Dance with Camera
Edited by Jenelle Porter. Text by Jenelle Porter, Edwin Denby, Shirley Clarke, Yvonne Rainer, Charles Atlas, et al.
Colored People Time
Artworks, essays and poetry explore the racial implications of capitalist temporalities In 2019, the Institute of Contemporary Art at the University of Pennsylvania presented the experimental exhibition Colored People Time. Divided into three chapters--Mundane Futures, Quotidian Pasts, Banal Presents--it used the Black vernacular phrase "Colored People's Time" (CPT) to explore the ways that dominant notions of time have been used to control and condemn Black people. CPT names a political performance by Black people to evade and ridicule the enforcement of punctuality and productivity. Alongside reproductions of historical objects from the Black Panther Party, Sutton E. Griggs, the National I...
Robert Mapplethorpe
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Jason Rhoades
This volume examines the remarkable legacy of Jason Rhoades's complex body of work. The Los Angeles-based sculptor Jason Rhoades was widely celebrated for sprawling, ambitious, and daring installations, editions, and events prior to his untimely death in 2006. Although he was far better known in Europe than America, many of Rhoades's peers considered him to be one of the most important artists of his generation. In his work, cultural touchstones ranged from high to low, including the artists Marcel Duchamp, Donald Judd, and Paul McCarthy, race-car driver Ayrton Senna, actor Kevin Costner, the big bang, Swedish erotica, and the California gold rush. This volume, accompanying the first US surv...
Trisha Donnelly
This first survey of rising San Francisco artist Trisha Donnelly, born in 1974, includes photography, drawing, painting, sculpture, sound, video and other elements made between 1998 and 2007. All of Donnelly's practices are united by questions about the necessity and viability of making art, and the emotional and almost speechless responses that they evoke in the viewer.
