You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Main headings: American studies from an international American studies perspective. - International, transnational, hemispheric America. - American social, ethical, and religious mentalisties. - Comparative perspectives, literary counterpoints. - American identities. - Space and place in American studies.
A Companion to American Studies is an essential volume that brings together voices and scholarship from across the spectrum of American experience. A collection of 22 original essays which provides an unprecedented introduction to the "new" American Studies: a comparative, transnational, postcolonial and polylingual discipline Addresses a variety of subjects, from foundations and backgrounds to the field, to different theories of the “new” American Studies, and issues from globalization and technology to transnationalism and post-colonialism Explores the relationship between American Studies and allied fields such as Ethnic Studies, Feminist, Queer and Latin American Studies Designed to provoke discussion and help students and scholars at all levels develop their own approaches to contemporary American Studies
An original critique of the idea of American empire in the twenty-first century
The Canonical Debate Today. Crossing Disciplinary and Cultural Boundaries re-enacts the canonical issues current in the ’90s from a new perspective, triggered by the changes that occurred worldwide in understanding the concepts and the status of theory, in the legacy of literary studies within the field of humanities, and in cultural production and reception. During the last decade discussions of globalization mostly took into account its impact on the status of academic disciplines such as comparative literature or cultural studies, or the reconfiguration of national literary fields. These debates do not dispense with canonicity altogether but make it more urgent and necessary. Canons see...
In the last few decades Canadian and Québécois literatures have been catapulted onto the global stage, gaining international readership and recognition. Canada and Its Americas challenges the convention that study of this literature should be limited to its place within national borders, arguing that these works should be examined from the perspective of their place and influence within the Americas as a whole. The essays in this volume, a groundbreaking work in the burgeoning field of hemispheric American studies, expand the horizons of Canadian and Québécois literatures, suggest alternative approaches to models centred on the United States, and analyse the risks and benefits of hemispheric approaches to Canada and Quebec. Revealing the connections among a broad range of Canadian, Québécois, American, Caribbean, Latin American, and diasporic literatures, the contributors critique the neglect of Canadian works in Hemispheric studies and show how such writing can be successfully integrated into an emerging area of literary inquiry.
Los Angeles is famous for its sunny weather, for the Hollywood film studios and for being the residence of the rich and beautiful. And although - or, precisely because - all this is more illusion than reality, the city frequently serves as setting for various pieces of fiction. However, Los Angeles does not only play a huge role in the media, but since lately also in the realm of urban studies. Having long been a kind of ‘outsider’ in the field, it is now regarded as a prototypical example for urban development by the L.A. School. In this context, its image is less sunny and positive, but reveals a deep-rooted racism against Latin-American immigrants in combination with a fortress mentality on the part of its white population as well as a unique urban ecology, in which natural catastrophes seem to be regular occurrences. This paper intends to outline the significance of Los Angeles in urban studies and trace the thereby acquired findings in a fictional representation of the city: T.C. Boyle’s novel The Tortilla Curtain. In the process, it is shown how urban conditions, racism and nature, especially in the form of ecological disasters, intersect and influence each other.
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
A wide-ranging and novel study of metaphor as the generative principle giving shape and substance to Eliot's poetic imagination.