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Shakespeare and the Twentieth Century
In close to fifty sessions, the congress theme - "Shakespeare and the Twentieth Century" - allowed for critical approaches from many directions: through twentieth-century theater history on almost every continent; through a range of media representations from film to databases; through the changing theoretical models of the period that extend to the latest politically inflected readings; and through appropriations of the play-texts by modern art forms such as recent fiction.
Shakespeare, Man of the Theater
This volume presents a sampling of the more than 250 papers presented at the Congress of the ISA held at Stratford-upon-Avon in August 1981. Most of the papers are concerned with Shakespeare as a writer for the theater. Other essays deal with Shakespeare as a literary, rather than theatrical, writer. Several of the offerings cover subjects usually neglected, and develop fresh insight into his work.
Images of Shakespeare
A wide range of approaches is presented in this collection, among them artists' images of Shakespeare. Victorian Hamlets, changing images of the protagonists in Romeo and Juliet, degrees of metaphor in King Lear, and Shakespeare's plays in performance.
Renaissance Shakespeare: Shakespeare Renaissances
Selected contributions to the most prestigious international event in Shakespeare studies, the Ninth World Shakespeare Congress (2011), represent major trends in the field in historical and present-day contexts. Special attention is given to the impact of Shakespeare on diverse cultures, from the Native Americans to China and Japan.
Shakespeare and the Mediterranean
Shakespeare's career-long fascination with the Mediterranean made the association a natural one for this first World Shakespeare Congress of the Third Millennium. The plenary lectures and selected papers in this volume represent some of the best contemporary thought and writing on Shakespeare, in the ranging plenary lectures by Jonathan Bate on Shakespeare's islands and the Muslim connection, Michael Coveney's on the late Sir John Gielgud, Robert Ellrodt's on Shakespeare's sonnets and Montaigne's essays, Stephen Orgel's on Shakespeare's own Shylock, and Marina Warner's on Shakespeare's fairy-tale uses of magic. Also included in the volume's several sections are original pagers selected from special sessions and seminars by other distinguished writers, including Jean E. Howard, Gary Taylor, and Richard Wilson. Tom Clayton is Regents' Professor of English Language and Literature and chair of the Classical Civilization Program at the University of Minnesota. Susan Brock is Head of Library and Information Resources at the Shakespeare Birthplace Trust in Stratford-upon-Avon and Honorary Fellow of the Shakespeare Institute of the University of Birmingham. Vicente Fores is Associate Profe
Shakespeare's World/World Shakespeares
This collection offers twenty-nine essays by many of the world's major scholars of the extraordinary diversity and richness of Shakespeare studies today. It ranges from examinations of the society William Shakespeare himself lived in, to recent films, plays, novels, and operatic adaptations for adults and children in Europe, Africa, Asia, Australia, and the Middle East. It opens with a Prologue by the former Deputy Prime Minister of Malaysia, Datuk Seri Anwar Ibrahim, describing how reading the Collected Works of Shakespeare inspired and helped him survive six years as a political prisoner, while the Epilogue is delivered by the major novelist David Malouf, who speculates on the genius of Shakespeare, the world's author.
Shakespeare and Cultural Traditions
. Taken together, the essays collected in Shakespeare and Cultural Traditions constitute a remarkable range of responses to Shakespeare's enduring art and offer a truly international and multicultural assessment of his presence in the world today.
Shakespeare 1971
A five-year-old boy with autism shares some of the things he can do, such as type his name and play tag and hide-and-seek, as well as some of his challenges, such as not liking the feeling of wind on his face or having trouble putting on his pajamas, and ways he has learned to cope with his difficulties.
Shakespeare, Pattern of Excelling Nature
This collection of essays represents, in the view of the editors, the best critical work represented at the World Shakespeare Congress in 1976. The work of leading Shakespeareans is represented, along with the work of several younger scholars and critics on a wide variety of subjects.
