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Thomas Clayton
Thomas Clayton Gurley loses his mother, father, and sister to a tragic car accident when he is only fifteen. With no family to care for him, he's forced to live with the dreaded "Bastard Boats," his father's half brother. Boats seems to have a vendetta against young T. C., and it goes back to T. C.'s parents, although T. C. isn't sure why. In a new town, at a new school, under a hostile roof, T. C. has to fight to survive. He joins up with the high school football team just to get out of the house. He makes friends and begins to experience new things-notably drugs, music, and girls. All the time, though, Boats is on his back. There's a light at the end of the tunnel when T. C. is taken in by...
Sir Robert Clayton and the Origins of English Deposit Banking 1658-1685
Based upon the most extensive early banking archive known to survive, this book is the first major study of Stuart banking since R. D. Richards's The Early History of Banking in England (1928). It traces the origins and growth of banking from the late sixteenth century to the 1720s through two generations of a scriveners' bank established in 1638 by Robert Abbott, and perpetuated by his nephew, Robert Clayton, and John Morris. With deposits from landowners' rents and stock sales these bankers practised as moneylenders and money-brokers for another sector of the gentry needing capital to offset the effects of the Great Rebellion and an agricultural depression. After 1660 Clayton and Morris integrated mortgage security into banking practice. This study examines the elaborate stages of land assessment and legal change which enabled bankers to offer large-scale, long-term securities to their clients, a pattern followed later by other banks such as Childs, Hoares, Martins and Coutts.
"A Certain Text"
This collection takes its title from 'Romeo and Juliet' (4.1.21.) when, meeting Paris in Friar Lawrence's cell, Juliet muses, What must be shall be, and the Friar completes her line with, That's a certain text. Where text means a received truth both Friar Lawrence and Clayton are interested skeptics. This essays gathered here reflect this attitude, questioning received ideas about the activities to which Clayton has devoted his professional life- literary editing and the close reading of literary works.
Medicine and Society in Wakefield and Huddersfield 1780-1870
This ambitious book presents an across-the-board study of medicine, in any urban centre, for any period of British history. By selecting Wakefield and Huddersfield as contrasting types of northern towns, and examining in details their systems of medical care, Dr Marland has written a local history that says something important about the country as a whole. Wakefield and Huddersfield contrasted in their economic demographic and social development during the late eighteenth and early nineteenth centuries, allowing an effective comparative analysis of medical facilities in the two communities. By drawing on diverse sources: from Poor Law and philanthropy to self-help organisations, fringe medicine and medical practice, the book places the development of medical services against the backdrop of the communities in which they evolved, their class structure, organization and social, civic and economic developments.
With Words and Knives
The practice of medicine in the days before the development of anaesthetics could often be a brutal and painful experience. Many procedures, especially those involving surgery, must have proved almost as distressing to the doctor as to the patient. Yet in order to cure, the medical practitioner was often required to inflict pain and the patient to endure it. Some level of detachment has always been required of the doctor and especially, of the surgeon. It is the construction of this detachment, or dispassion, in early modern England, with which this work is concerned. The book explores the idea of medical dispassion and shows how practitioners developed the intellectual, verbal and manual skill of being able to replace passion with equanimity and distance. As the skill of 'dispassion' became more widespread it was both enthusiastically promoted and vehemently attacked by scientific and literary writers throughout the early modern period. To explain why the practice was so controversial and aroused such furor, this study takes into account not only patterns of medical education and clinical practice but wider debates concerning social, philosophical and religious ideas.
A Biographical Dictionary of Actors, Volume 3, Cabanel to Cory
Volumes three and four of this monumental work include full entries for all such illustrious names as those of the Cibbers--Colley, Theophilus, and Susanna Maria--Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the Younger, William Davenant, and De Loutherboug. But here also are full entries for dozens of important secondary figures and of minor ones whose stories have never been told, as well as a census (and at least a few recoverable facts) for even the most inconsiderable performers and servants of the theatres. As in the previous volumes in this distinguished series, the accompanying illustrations include at least one picture of each subject for whom a portrait exists.
