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Zosia Goldberg's heroic and startling tale of surviving the Nazi Genocide begins with the siege of Warsaw, whereafter Goldberg escaped the Warsaw Ghetto through the sewer and went on to survive the Holocaust posing as a Gentile. She was a débrouillarde, someone who could run through fire without getting burned. Hers is a story of resistance at every turn, of continual attempts at sabotage, of perpetually escaping and defeating the enemy. Her account is filled with unique energy and a wonder at the strangeness of human behavior. For not only did she suffer bitter betrayals by fellow Jews, she also encountered the unexpected sympathies of Nazis, and was at many times aided by her very tormentors. This is not just a story of the Holocaust, but of a woman struggling to make sense of human folly and depravity.
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The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements. It is the reworking of these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities.
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