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The Insular Tradition
"A breadth of interdisciplinary voices" discuss how geographical insularity - specifically that of Britain and Ireland - has affected artistic tradition.
From Caledonia to Pictland
Shortlisted for the 2009 Saltire Society History Book of the Yea. rFrom Caledonia to Pictland examines the transformation of Iron Age northern Britain into a land of Christian kingdoms, long before 'Scotland' came into existence. Perched at the edge of the western Roman Empire, northern Britain was not unaffected by the experience, and became swept up in the great tide of processes which gave rise to the early medieval West. Like other places, the country experienced social and ethnic metamorphoses, Christianisation, and colonization by dislocated outsiders, but northern Britain also has its own unique story to tell in the first eight centuries AD.This book is the first detailed political hi...
Pictish Progress
This publication is the culmination of an extended programme of conferences that have sought to mark the contribution of F. T. Wainwright to Pictish studies and, in particular, the 50th anniversary of The Problem of the Picts. The book is firmly in the tradition of interdisciplinary scholarship Wainwright did so much to promote and brings together much fresh thinking on the archaeological, art-historical, place name and historical understanding of Northern Britain in the second half of the first millennium AD. Within a wider, European framework it addresses questions of landscape, material culture and mentalities, revealing some of the different strategies by which the Picts made their world. All the studies are accessibly presented to serve the interests of students, teachers and anyone interested in the roots of European civilisation. Contributors are Barbara E. Crawford, Nicholas Evans, Iain Fraser, James Fraser, Meggen Gondek, Stratford Halliday, Andrew Heald, Kellie Meyer, Gordon Noble, Robert D. Stevick, Simon Taylor and Sarah Winlow.
The Iron Age in Northern Britain
The Iron Age in Northern Britain examines the archaeological evidence for earlier Iron Age communities from the southern Pennines to the Northern and Western Isles and the impact of Roman expansion on local populations, through to the emergence of historically recorded communities in the post-Roman period. The text has been comprehensively revised and expanded to include new discoveries and to take account of advanced techniques, with many new and updated illustrations. The volume presents a comprehensive picture of the ‘long Iron Age’, allowing readers to appreciate how perceptions of Iron Age societies have changed significantly in recent years. New material in this second edition also addresses the key issues of social reconstruction, gender, and identity, as well as assessing the impact of developer-funded archaeology on the discipline. Drawing on recent excavation and research and interpreting evidence from key studies across Scotland and northern England, The Iron Age in Northern Britain continues to be an accessible and authoritative study of later prehistory in the region.
Irish and Scottish Art, c. 900-1900
As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.
Early Medieval Stone Monuments
New insights into inscribed and stone monuments from across Europe in the early middle ages.
Scotland
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Corpus of Anglo-Saxon Stone Sculpture, Volume VI: Northern Yorkshire
The visual heritage of Northern Yorkshire in the pre-Conquest period is revealed in this addition to the Corpus series. This volume surveys the sculpture in the historic North Riding of Yorkshire (excluding those parts covered in Volume three).
Writing a Small Nation's Past
This is the first volume to examine how the history of Wales was written in a period that saw the emergence of professional historiography, largely focused on the nation, across Europe and in the United States. It thus sets Wales in the context of recent work on national history writing in the nineteenth and twentieth centuries, and, more particularly, offers a Welsh perspective on the ways in which history was written in small, mainly stateless, nations. The comparative dimension is fundamental to the volume's aim, highlighting what was distinctive about Welsh historical writing and showing how the Welsh experience mirrors and illuminates broader historiographical developments. The book beg...
The Picts
The Picts is a survey of the historical and cultural developments in northern Britain between AD 300 and AD 900. Discarding the popular view of the Picts as savages, they are revealed to have been politically successful and culturally adaptive members of the medieval European world. Re-interprets our definition of ‘Pict’ and provides a vivid depiction of their political and military organization Offers an up-to-date overview of Pictish life within the environment of northern Britain Explains how art such as the ‘symbol stones’ are historical records as well as evidence of creative inspiration. Draws on a range of transnational and comparative scholarship to place the Picts in their European context
