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With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.
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In order to give an impetus to the production of an apparatus of aesthetic concepts, in line with Deleuze and Guattari’s claim to create new concepts for a changing world, this volume publishes statements and discussions of ten Concept on the Move workshops, as well as texts and discussions of the concluding Concept on the Move symposium. The integral outcome of the workshops, the symposium and the discussions does not, however, present some sort of blueprint for the future of visual art and aesthetics. If one wished to designate the Concepts on the Move publication in one notion at all that definitively could only be TOOLKIT. A TOOKIT in the sense of a great collection of ideas, topics, issues, notions, and concepts emerging in the 21st-century world of visual art and theory. They indeed could serve as an impetus for the construction and production of a body of theoretical work fit to understand today’s technological, theoretical, and artistic developments in the art world. Are concepts on the move? Yes, they are, and they always will be on the great journey visual art takes them.
Tiré du site Internet de JRP/Ringier: "Isabell Heimerdinger (*1967) has developed projects involving both stage and movie actors, including Udo Kier, Martin Glade, Bibiana Beglau, Wolfram Berger, and Dorothee Hartinger. In her works she investigates and questions the notion of acting. Heimerdinger's new book, "Four Film & True Stories," gathers together her recent projects. The volume is conceived as two separate books bound together. The publication's table of contents also reflects this organization by assembling a text in the form of film reviews by Frédéric Paul in the first part, and an essay by Raimar Stange in the second.
This text presents the work of cultural theorists and philosophers of new media, together with the perspectives of artists experimenting with different interactive models critically examining their own practice. The book proposes the use of new critical tools for discussing new media forms.
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Designer Portraits is the striking evidence of how author Melchior Imboden views the world. Numerous exhibitions and jury activities have brought him in contact with colleagues in graphic and poster design from all over the world. With this publication