You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A brief, elegant, rediscovered novel of the Fifties, much in the vein of the author's mentor Muriel Spark, about an Englishwoman who misunderstands her and her family's past."
None
None
In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
'A rare pleasure ... a true story of adaptation and hope.' - Wall Street Journal 'Moth ... is a stunning visual experience.' - Books for Keeps 'Moth ... is another picture book with inbuilt growing room, an introduction to the concept of evolution in language both scientific and poetic, full of thrill and peril.' - Times Literary Supplement "This is a story of light and dark." Against a lush backdrop of lichen-covered trees, the peppered moth lies hidden. Until the world begins to change ... A clever picture book text about the extraordinary way in which animals have evolved, intertwined with the complication of human intervention. This remarkable paperback edition of the amazing story of th...
‘A deeply moving read – I loved it’ Dinah Jeffries, author of The Tea Planter’s Wife
Coping with a child's death is traumatic and isolating. A personal and moving story, 'Dear Isobel' tells the truth about the trauma and isolation through the eyes of both parents and shows how, individually, they came to terms with their loss. The only book of its kind, 'Dear Isobel' was written so that other bereaved parents may feel less alone, and to explain to family and friends how they can best offer their support. Advice on bereavement by a liaison sister at The Hospital for Sick Children, Great Ormond Street, who helped Georgina and Piers Monckton through Isobel's illness and death, together with an information section containing details of organisations that support the bereaved are also given.
None
The Politics and Poetics of Contemporary English Tragedy is a detailed study of the idea of the tragic in the political plays of David Hare, Howard Barker, Edward Bond, Caryl Churchill, Mark Ravenhill, Sarah Kane, and Jez Butterworth. Through an in-depth analysis of over sixty of their works, Sean Carney argues that their dramatic exploration of tragic experience is an integral part of their ongoing politics. This approach allows for a comprehensive rather than selective study of both the politics and poetics of their work. Carney’s attention to the tragic enables him to find a common discourse among the canonical English playwrights of an older generation and representatives of the nineties generation, challenging the idea that there is a sharp generational break between these groups. Finally, Carney demonstrates that tragic experience is often denied by the social discourse of Englishness, and that these playwrights make a crucial critical intervention by dramatizing the tragic.