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The Four of Us
  • Language: en
  • Pages: 126

The Four of Us

From the author of Bach at Leipzig (Faber, 2005) comes a play about loyalty, integrity, and the price of success. When Benjamin's first novel vaults him into literary stardom, his friend David, a struggling playwright, is thrilled for his newfound success . . . or is he? Should Benjamin help David by using his new connections? Can David even expect such favors from his friend? More importantly, who should pick up the tab at lunch? Hailed as a writer who "makes the kinds of stylistic gambles that should be applauded" (Eric Grode, The New York Sun), Itamar Moses proves once again with this inventive exploration of the evershifting ground of friendship that he is a playwright to watch. The Four of Us had its off-Broadway premiere in March 2008 at Manhattan Theatre Club. "Clever [and] smart...[The Four of Us] suggests that Moses will be displaying a big range as his career unfolds."--The San Diego Union-Tribune

Completeness
  • Language: en
  • Pages: 83

Completeness

How does a computer scientist hook up with a molecular biologist? He blinds her with science, of course. When Elliot builds a computer program to help Molly with her research project, the variables in their evolving relationship shift as rapidly as the terms of their experiment. This deft and imaginative new ROM-comedy shows that even the most sophisticated algorithm may freeze in the face of life's infinite possibilities.

Love/Stories (or, But You Will Get Used to It)
  • Language: en
  • Pages: 107

Love/Stories (or, But You Will Get Used to It)

A casting session for a play about a love affair goes awry. A talk-back with a theater audience becomes the occasion for a life-altering choice. A couple moving in together finds that greater intimacy can be a mixed blessing when even the surface of their dialogue is stripped away. Metatheatrical antics abound in Itamar Moses’s Love/Stories (or, but you will get used to it), five one-act meditations on modern love and on the act of telling stories — in which a variety of inventive devices stresses the ineradicable gap between art and experience. Reminiscent of the works of both Samuel Beckett and David Foster Wallace in their verbal dexterity, humor, and generosity, the plays collected in Love/Stories constitute an important addition to the contemporary American theater by one of our most exciting young playwrights.

Bach at Leipzig
  • Language: en
  • Pages: 130

Bach at Leipzig

Leipzig, Germany, 1722: Johann Kuhnau, revered organist of the Thomaskirche, suddenly dies, leaving his post vacant. In order to fill the position, the city council invites a small number of musicians to audition for the appointment, including Johann Sebastian Bach. This, however, is not his story. Based on actual events, Bach at Leipzig imagines with uncommon intelligence and wit how six little-known musicians resorted to bribery, blackmail, and betrayal in an attempt to secure the most coveted musical post in all of Europe.

Back Back Back
  • Language: en
  • Pages: 73

Back Back Back

Before headlines blazed, before the Mitchell Report and ESPN lit up millions of television screens with the scandals, comes the story of three guys making their way in the world of professional baseball--a world too competitive to rely solely on raw talent. This play takes you behind the headlines into the locker room to witness an even more gripping confrontation you didn't see on TV, as these teammates face each other and do battle--for their careers, their legacies, and the future of America's favorite pastime.--From publisher description.

Outrage
  • Language: en
  • Pages: 144

Outrage

"In Ancient Greece, Socrates is accused of corrupting the young with his practice of questioning commonly held beliefs. In Renaissance Italy, a simple miller named Menocchio runs afoul of the Inquisition when he develops his own theory of the cosmos. In Nazi Germany, the playwright Bertolt Brecht is persecuted for work that challenges authority. And in present day New England, a graduate student finds himself in the center of a power struggle over the future of the University. An irreverent epic that spans thousands of years, Outrage explores the power of martyrdom, the power of theatre, and how the revolutionary of one era become the tyrant of the next."--Publisher's website.

Humanity at Sea
  • Language: en
  • Pages: 265

Humanity at Sea

  • Categories: Law

This book integrates legal, historical, and philosophical materials to illuminate the migration topic and to provide a novel theory of human rights.

The Band's Visit
  • Language: en
  • Pages: 147

The Band's Visit

(Vocal Selections). Winner of the New York Drama Critics' Circle Award for Best Musical, The Band's Visit is a musical adaptation of the 2007 Israeli film of the same name. This vocal selections folio features 11 vocal line arrangements with piano accompaniment composed by David Yazbek: Answer Me * The Beat of Your Heart * Haled's Song About Love * It Is What It Is * Itzik's Lullaby * Omar Sharif * Papi Hears the Ocean * Something Different * Soraya * Waiting * Welcome to Nowhere.

Biophysics of RNA Folding
  • Language: en
  • Pages: 238

Biophysics of RNA Folding

This volume, written by experts in the field, discusses the current understanding of the biophysical principles that govern RNA folding, with featured RNAs including the ribosomal RNAs, viral RNAs, and self-splicing introns. In addition to the fundamental features of RNA folding, the central experimental and computational approaches in the field are presented with an emphasis on their individual strengths and limitations, and how they can be combined to be more powerful than any method alone; these approaches include NMR, single molecule fluorescence, site-directed spin labeling, structure mapping, comparative sequence analysis, graph theory, course-grained 3D modeling, and more. This volume will be of interest to professional researchers and advanced students entering the field of RNA folding.

The Problems of Genocide
  • Language: en
  • Pages: 611

The Problems of Genocide

Historically delineates the problems of genocide as a concept in relation to rival categories of mass violence.