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Gabriel Faure
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music
Qual Viagem Ed. 114
Turismo e Experiências
Gabriel Fauré
This book traces Fauré's life and the rich cultural milieu in which he lived and worked.
Fauré Studies
Presents new research on Fauré by leading scholars, encompassing hermeneutics, musical analysis, aesthetic theory, critical theory, and social history.
"Luister ...!"
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Два человека в мире
Писательница Лиза Калашникова в поисках сюжета для новой книги приезжает на Лазурный Берег и устраивается на экзотическую для неё работу. Никто не догадывается, что Лиза не простая девушка, а жена большого чиновника. Но жизнь – это не книга, она преподаёт Лизе суровой урок.
Fauré and French Musical Aesthetics
A wide-ranging study of Fauré and his contemporaries.
The Correspondence of Camille Saint-Saëns and Gabriel Fauré
This English edition of Jean-Michel Nectoux's collection of the complete correspondence of Saint-Saëns and Fauré features some 130 letters spanning the period from 1862 to 1920. Immensely significant to the study of French music, these letters throw light upon one of the longest-surviving friendships between two composers in the history of music. They also contain frank exchanges of views on such topics as the music of Wagner, Berlioz, Debussy, Franck and others; the state of musical education in France; and other important artistic figures of fin de siècle Paris including Puvis de Chavannes, Rodin and Fremiet. Barrie Jones's skilful translation of this important body of correspondence captures the often playful, casual, but always stimulating language of both composers. These letters are frequently the sole source for dating certain compositions or discovering projects that were started but then abandoned. They constitute a primary source for appreciation of Saint-Saëns's and Fauré's compositions, opinions and working practices.
