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Gabriel Faure
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music
Qual Viagem Ed. 114
Turismo e Experiências
Fauré Studies
Presents new research on Fauré by leading scholars, encompassing hermeneutics, musical analysis, aesthetic theory, critical theory, and social history.
Gabriel Fauré
This book traces Fauré's life and the rich cultural milieu in which he lived and worked.
Два человека в мире
Писательница Лиза Калашникова в поисках сюжета для новой книги приезжает на Лазурный Берег и устраивается на экзотическую для неё работу. Никто не догадывается, что Лиза не простая девушка, а жена большого чиновника. Но жизнь – это не книга, она преподаёт Лизе суровой урок.
Gabriel Fauré: The Songs and their Poets
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. Hi...
The Correspondence of Camille Saint-Saëns and Gabriel Fauré
This English edition of Jean-Michel Nectoux's collection of the complete correspondence of Saint-Saëns and Fauré features some 130 letters spanning the period from 1862 to 1920. Immensely significant to the study of French music, these letters throw light upon one of the longest-surviving friendships between two composers in the history of music. They also contain frank exchanges of views on such topics as the music of Wagner, Berlioz, Debussy, Franck and others; the state of musical education in France; and other important artistic figures of fin de siècle Paris including Puvis de Chavannes, Rodin and Fremiet. Barrie Jones's skilful translation of this important body of correspondence captures the often playful, casual, but always stimulating language of both composers. These letters are frequently the sole source for dating certain compositions or discovering projects that were started but then abandoned. They constitute a primary source for appreciation of Saint-Saëns's and Fauré's compositions, opinions and working practices.
Power and Possibility
Power has been a defining and constitutive theme of adult education scholarship for over a century and is a central concern of many of the most famous and influential thinkers in the field. Adult education has been particularly interested in how an analysis of power can be used to support transformative learning and democratic participation. In a fragile and interdependent world these questions are more important than ever. The aim of this collection is to offer an analysis of power and possibility in adult education which acknowledges, analyzes and responds to the complexity and diversity that characterizes contemporary education and society. Power and Possibility: Adult Education in a Dive...
