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Lyonel Feininger
  • Language: en
  • Pages: 96

Lyonel Feininger

  • Type: Book
  • -
  • Published: 1944
  • -
  • Publisher: Unknown

"Catalog of the exhibition[s]:" p.46-49, 91-93.

General Catalogue of Printed Books
  • Language: en
  • Pages: 1354

General Catalogue of Printed Books

  • Type: Book
  • -
  • Published: 1969
  • -
  • Publisher: Unknown

None

Feininger-Hartley
  • Language: en

Feininger-Hartley

None

Lyonel Feininger
  • Language: de
  • Pages: 148

Lyonel Feininger

  • Type: Book
  • -
  • Published: 1981
  • -
  • Publisher: Unknown

None

Years of Friendship, 1944-1956: The Correspondence of Lyonel Feininger and Mark Tobey
  • Language: en
  • Pages: 261

Years of Friendship, 1944-1956: The Correspondence of Lyonel Feininger and Mark Tobey

  • Categories: Art

In 1944, Lyonel Feininger (1871–1956) wrote his first letter to fellow painter Mark Tobey (1890–1976) after seeing Tobey's first solo show at the Willard Gallery in New York. It was the beginning of a close friendship that lasted until Feininger's death i

The Grove Encyclopedia of American Art
  • Language: en
  • Pages: 3140

The Grove Encyclopedia of American Art

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.

German Expressionist Painting
  • Language: en
  • Pages: 550

German Expressionist Painting

  • Categories: Art

Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research an...

The Ocean Basins and Margins
  • Language: en
  • Pages: 931

The Ocean Basins and Margins

None

Paleomagnetic Rotations and Continental Deformation
  • Language: en
  • Pages: 516

Paleomagnetic Rotations and Continental Deformation

One of the most interesting results obtained in the last two decades in the study of crustal deformation has been the recognition that large regions of continental crust undergo rotations about vertical axis during deformation. Proof of such rotations has come through the paleomagnetic studies, which reveal rotations when paleomagnetic declinations within the deforming region arc compared with those found in coeval rocks in the stable regions outside the deforming zone. Such rotations were first described in Oregon then in the North American Cordilleras and in Southern California and were a surprise to everyone. Even in California which, as a result of oil exploration, was among the best geologically explored regions in the world, no one could claim to have predicted that these rotations would be found. Rotations have subsequently been found in other areas of recent continental tectonic activity, notably in the Basin and Range province, New Zealand, the Andes, Greece and Western Turkey, so that they appear as an important feature of continental deformation.

Drawing as a Way of Knowing in Art and Science
  • Language: en
  • Pages: 296

Drawing as a Way of Knowing in Art and Science

  • Categories: Art

In recent history, the arts and sciences have often been considered opposing fields of study, but a growing trend in drawing research is beginning to bridge this divide. Gemma Anderson’s Drawing as a Way of Knowing in Art and Science introduces tested ways in which drawing as a research practice can enhance morphological insight, specifically within the natural sciences, mathematics and art. Inspired and informed by collaboration with contemporary scientists and Goethe’s studies of morphology, as well as the work of artist Paul Klee, this book presents drawing as a means of developing and disseminating knowledge, and of understanding and engaging with the diversity of natural and theoretical forms, such as animal, vegetable, mineral and four dimensional shapes. Anderson shows that drawing can offer a means of scientific discovery and can be integral to the creation of new knowledge in science as well as in the arts.