You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A wide-ranging study of violence in Latin literature, across the spectrum of texts and genres from Plautus to Prudentius.
For a host of reasons, traditionalist scholarship has failed to give a full and positive account of the formal, aesthetic and religious transformations of ancient poetics in Late Antiquity. This collection of new essays attempts to capture the vibrancy of the living ancient tradition reinventing itself in a new context in the hands of a series of great Latin writers of the fourth and fifth centuries AD.
An integrated collection of essays examining the politics, social networks, law, historiography, and literature of the later Roman world. The volume treats three central themes: the first section looks at political and social developments across the period and argues that, in spite of the stress placed upon traditional social structures, many elements of Roman life remained only slightly changed. The second section focuses upon biographical texts and shows how late-antique authors adapted traditional modes of discourse to new conditions. The final section explores the first years of the reign of Theodosius I and shows how he built upon historical foundations while unfurling new methods for utilising, presenting, and commemorating imperial power. These papers analyse specific events and local developments to highlight examples of both change and continuity in the Roman world from 284–450.
Gender was a key social indicator in Byzantine society, as in many others. While studies of gender in the western medieval period have appeared regularly in the past decade, similar studies of Byzantium have lagged behind. Masculine and feminine roles were not always as clearly defined as in the West, while eunuchs made up a 'third gender' in the imperial court. Social status indicators were also in a state of flux, as much linked to patronage networks as to wealth, as the Empire came under a series of external and internal pressures. This fluidity applied equally in ecclesiastical and secular spheres. The present collection of essays uncovers gender roles in the imperial family, in monastic...
"The field of Synoptic studies traditionally has had two basic foci. The question of how Matthew, Mark, and Luke are related to each other, what their sources are, and how the Gospels use their sources constitutes the first focus. Collectively, scholarship on the Synoptic Problem has tried to address these issues, and recent years have seen renewed interest and rigorous debate about some of the traditional approaches to the Synoptic Problem and how these approaches might inform the understanding of the origins of the early Jesus movement. The second focus involves thematic studies across the three Gospels. These are usually, but not exclusively, performed for theological purposes to tease out the early Jesus movement's thinking about the nature of Jesus, the motivations for his actions, the meaning of his death and resurrection, and his relationship to God. These studies pay less attention to the particular voices of the three individual Synoptic Gospels because they are trying to get to the overall theological character of Jesus"--
Perhaps it is fully justified to think of Late Antiquity (3rd–7th centuries) as the first Renaissance of the Classical World. This period can be considered a fundamental landmark for the transmission of the Classical Legacy and the transition between the ancient and the medieval individual. During Late Antiquity the Classical Education or enkyklios paideia of Hellenism was linked definitively to the Judeo-Christian and Germanic elements that have modelled the Western World. The present volume combines diverse interests and methodologies with a single purpose—unity and diversity, as a Neo-Platonic motto—providing an overall picture of the new means of researching Late Antiquity. This co...
In this monograph, Alex W. Muir shows how Paul and Seneca were significant contributors to an ancient philosophical and rhetorical tradition of consolation. Each writer's consolatory career is surveyed in turn through close readings of key primary texts: chiefly Seneca's three literary consolations and 'Epistles'; and Paul's letters, 1 Thessalonians, 2 Corinthians, and Philippians. A final comparative dialogue highlights the pair's adaptations and innovations within this tradition.
John Chrysostom consoles his suffering flock by employing biblical narratives that carry a distinctive theology of God's loving providence.
Hercules is a tragedy of great theatrical, poetic, and cultural value. Written probably at the intersection of the principates of Claudius and Nero, it addresses central issues of early imperial Rome, even as it speaks profoundly to our times. Among its concerns are violence and madness; imperatives of family and self; Rome, identity and place; the nature of virtue; the longing for immortality; the theatre of rage; and the empire of death. The play is dramatically innovative, spectacular, and arresting: from its fiery, monumental god-prologue (the only one in Senecan tragedy), through meditative soliloquies, impassioned speeches, trenchant dialogue, a failed wooing scene with an impressive a...