Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Jack Pierson
Artists showcased: Julia Margaret Cameron, Lewis Carroll, Jo Ann Callis, Eileen Cowin, Roger Fenton, Gertrude Kasebier, Loretta Lux, Man Ray, Ralph Euguene Meatyard, Yasumasa Morimura, Paul Outerbridge, Henry Peach Robinson, Lucas Samaras, Alfred Stieglitz, Andy Warhol, and Carrie Mae Weems.
Every Single One of Them
"In the interstices between film and photography, ad stereotypes and clichés of a Californian paradise, Jack Pierson (born 1960) produces pictures that are deliberately sensual and sentimental. Through a subtle hybridization of genres they raise the central question of autobiographical sincerity as the work's theme and site. By arresting intimate moments, they compose a familiar, private world, happy and nostalgic. By disclosing (or pretending to disclose) something of the artist, they acquire a natural quality that turns them into secret confessions. We are simultaneously in the artist's studio and in the middle of his life, and, I'd be tempted to add, in the idealizing and loving grace of his gaze." --Henry-Claude Cousseau
Jack Pierson
None
Elizabeth II
Assemblage under quarantine: new works from the celebrated Boston School photographer and artist Jack Pierson's (born 1960) latest book, New Pieces, features new assemblage works that the artist started making during quarantine in his Ridgewood, Queens, studio. Assemblage has long played a role in Pierson's career, from his early verité installation pieces to his iconic "word pieces." These new works consist mainly of items found in and around his studio building, which were then pinned directly to the wall. As Bonnie Morrison writes, "These are things that Pierson has accumulated as well as the things that have no doubt accumulated around him. To be fabricated in the year everything took on different meaning is also to take every fabricated thing's meaning different(ly)."
Jack Pierson
"A survey of the work created by Jack Pierson over the past twenty years reveals a diverse and unique aesthetic expression in an array of moods, materials, and meanings. Drawn to stardrom, melodrama, loneliness, and emotional narrative as subjects for his art, Pierson infuses his work with literal and visual references to lost love, sexual longing, faded glamour, fleeting moments, and melancholic and sentimental musings. His work gravitates toward personal expressions of self and psychological states of being..."--P. 7.
Jack Pierson: the Hungry Years (Collector's Edition)
For this second collector's edition of Jack Pierson's (born 1960) The Hungry Years, Pierson has printed 30 copies of the photograph Yellow Road. Each photograph is numbered and signed by the artist. The Hungry Years collects the early photographs of Jack Pierson, taken throughout the 1980s--photographs that have increasingly captured the attention of the art world since they were first editioned in 1990. Informed in part by his artistic emergence in the era of AIDS, Pierson's work is moored by melancholy and introspection, yet his images are often buoyed by a celebratory aura of homoeroticism, seduction and glamour. Sometimes infused with a sly sense of humor, Pierson's work is inherently autobiographical; often using his friends as his models and referencing traditional Americana motifs, his bright yet distanced imagery reveals the undercurrents of the uncanny in the quotidian.
Jack Pierson
None
Jack Pierson
Introduction by Jack Pierson. Text by Enrique Juncosa, Wayne Koestenbaum, Rachael Thomas, Richard D. Marshall.
The Hungry Years
The Hungry Years collects the early photographs taken by Pierson throughout the 1980s, which, since they were first editioned in 1990, have increasingly captured the attention of the art world. Informed in part by his artistic emergence in the era of AIDS, Pierson's work is moored by melancholy and introspection, yet his images are often buoyed by a celebratory aura of seduction and glamour. Sometimes infused with a sly sense of humor, Pierson's work is inherently autobiographical; often using his friends as his models and referencing traditional Americana motifs, his bright yet distanced imagery reveals the undercurrents of the uncanny in the quotidian. Fueled by the poignancy of emotional experience and by the sensations of memory, obsession, and absence, Pierson's subject is ultimately, as he states, "hope."
