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Sou Fujimoto
From the Gallery website: The Serpentine Gallery Pavilion 2013 is designed by multi award-winning Japanese architect Sou Fujimoto. He is the thirteenth and, at 41, youngest architect to accept the invitation to design a temporary structure for the Serpentine Gallery. The most ambitious architectural programme of its kind worldwide, the Serpentine's annual Pavilion commission is one of the most anticipated events on the cultural calendar. Past Pavilions have included designs by Herzog & de Meuron and Ai Weiwei (2012), Frank Gehry (2008), the late Oscar Niemeyer (2003) and Zaha Hadid, who designed the inaugural structure in 2000. We are thrilled to be working with one of the most fascinating architects in the world today. A visionary, who has conceived an extraordinary response to our invitation to design the Serpentine Gallery Pavilion, Sou Fujimoto has designed a structure that will enthral everyone that encounters it throughout the summer. --Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Gallery
140 Artists' Ideas for Planet Earth
Through 140 drawings, thought experiments, recipes, activist instructions, gardening ideas, insurgences and personal revolutions, artists who spend their lives thinking outside the box guide you to a new worldview; where you and the planet are one. Everything here is new. We invite you to rip out pages, to hang them up at home, to draw and scribble, to cook, to meditate, to take the book to your nearest green space. Featuring Olafur Eliasson, Etel Adnan, Alexis Pauline Gumbs, Jane Fonda & Swoon, Judy Chicago, Black Quantum Futurism Collective, Vivienne Westwood, Cauleen Smith, Marina Abramovic, Karrabing Film Collective, and many more.
Curating Ecologies on Architecture
From the early 20th century to the present day, architecture exhibitions have embraced different approaches and constructed other modes of action within the discipline. Ranging from canonical experiences centred on archives and collections to more performative and experimental practices, exhibitions have played a pivotal role in disseminating, diffusing and experimenting with architectural culture. Curating Ecologies on Architecture offers a contemporary approach to the theme of curatorial practice in architecture, and how ecological issues have been addressed in the context of curatorial thinking and exhibition-making. It does so by interviewing five architects with a curatorial practice who are contributing to the debates in architecture, as well as exploring how to perceive the main challenges of our world(s): Paola Antonelli, Pedro Gadanho, Paula Nascimento, Marina Otero Verzier and Paulo Tavares.
Roadside Picnics.
With a combination of essays, memoirs, guided imagery, and speculative story-telling, this book reenacts Roadside Picnic, a sci-fi story addressing the problem of humanity’s contact with another intelligence through the environmental effects and wreckage left behind by the visitors. The bewildering nature of worldly Roadside Picnics pushes human and non-human beings across the planet to a similar situation. In the face of that shared condition, the book Roadside Picnics highlights the ways in which architecture and the built environment participate in and condition both our encounters with the unthinkable—How do we face trouble?—as well as the futures that are possible in the unintended landscapes of the Anthropocene—How do we stay with the trouble?
Art in Ukraine Between Identity Construction and Anti-Colonial Resistance
This edited volume traces the development of art practices in Ukraine from the 2004 Orange Revolution, through the 2013–2014 Revolution of Dignity, to the ongoing Russian war of aggression. Contributors explore how transformations of identity, the emergence of participatory democracy, relevant changes to cultural institutions, and the realization of the necessity of decolonial release have influenced the focus and themes of contemporary art practices in Ukraine. The chapters analyze such important topics as the postcolonial retrieval of the past, the deconstruction of post-Soviet visualities, representations of violence and atrocities in the ongoing Russian war against Ukraine, and the notion of art as a mechanism of civic resistance and identity-building. The book will be of interest to scholars of art history, Eastern European studies, cultural studies, decolonial studies, and postcolonial studies.
Death by Landscape
From the acclaimed author of the novel Oval comes a book of “fan nonfiction” about living and writing in the age of extinction In this constellation of essays, Elvia Wilk asks what kinds of narratives will help us rethink our human perspective toward Earth. The book begins as an exploration of the role of fiction today and becomes a deep interrogation of the writing process and the self. Wilk examines creative works across time and genre in order to break down binaries between dystopia and utopia, real and imagined, self and world. She makes connections between works by such wide-ranging writers as Mark Fisher, Karen Russell, Han Kang, Doris Lessing, Anne Carson, Octavia E. Butler, Miche...
Assembly
Part-to-part relationships and the approach to governing their sensibilities is at the root of all architecture. The need for engaging in a dialogue around these systems is essential to contemporary architectural discourse and practice. Assembly builds on and extends the investigations of materials and representation techniques in the editors’ previous books, Matter and Lineament. This book uses a collection of detailed case studies, explained by first-person authors, about experimental and innovative takes on assembling architecture. Bridging theory and practice, 17 projects and their principled approaches each demonstrate an important vein of inquiry within the topic. Essays probe issues such as latent and overt geometry, fabrication and technology, part-to-part elements, joinery and representation, material vernacular geometries, labor and place-based contextual assemblies, detailing, and pedagogical examinations. This text articulates the traditions and trends of material as the defining premise in the contemporary making of architecture. Its outcomes are applicable to beginning students of architecture and advanced practitioners alike.
Hide/Seek
An entirely new interpretation of modern American portraiture based on the history of sexual difference. Hide/Seek: Difference and Desire in American Portraiture, companion volume to an exhibition of the same name at the National Portrait Gallery, Smithsonian Institution, traces the defining presence of same-sex desire in American portraiture through a seductive selection of more than 140 full-color illustrations, drawings, and portraits from leading American artists. Arcing from the turn of the twentieth century, through the emergence of the modern gay liberation movement in 1969, the tragedies of the AIDS epidemic, and to the present, Hide/Seek openly considers what has long been suppresse...
Speculation
A wide-ranging investigation of what speculation is, and what is at stake for artistic, curatorial, critical, and institutional practices in relating to their own speculative character. Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation in the creation (and capitalization) of possible worlds. Artistic autonomy, and the self-legislation of the space of art, have often been se...
Rhetoric, Social Value and the Arts
The book reveals how the ‘social value of art’ may have one meaning for a policy maker, another for a museum and still yet another for an artist – and it is therefore in the interaction between these agents that we learn the most about the importance of rhetoric and interpretation. As a trajectory in art history, socially engaged art has a long and established history. However, in recent years—or since ‘the social turn’ that occurred in the 1990s—the rhetoric surrounding the social value of art has been assimilated by cultural policy makers and museums. Interdisciplinary in its approach, and bringing together contributions from artists, curators and academics, the volume explores rhetoric, social value and the arts within different social, political and cultural contexts.
