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Chagall
“When Matisse dies,” Pablo Picasso remarked in the 1950s, “Chagall will be the only painter left who understands what color really is.” As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known and most-loved paintings of our time. Yet behind this triumph lay struggle, heartbreak, bitterness, frustration, lost love, exile—and above all the miracle of survival. Born into near poverty in Russia in 1887, the son of a Jewish herring merchant, Chagall fled the repressive “potato-colored” tsarist empire in 1911 for Paris. There he worked alo...
Inventing Wonderland
Mellem 1865 og 1930 skabte de fem forfattere på baggrund af deres egen frustration og længsel efter barndommens uskyld en børnelitterær guldalder
Hans Christian Andersen
Beloved by generations of children and adults around the world for tales such as "The Ugly Duckling" and "The Emperor's New Clothes," Hans Christian Andersen (1805-1875) revolutionized children's literature. Although others before him had collected and retold folk stories and fairy tales, Andersen was the first to create the stories himself, instilling a previously stilted genre with new humor, wisdom, and pathos. Drawing on letters, diaries, and other original sources (many never before translated from the Danish), Wullschlager shows in this compelling, extensively researched biography how Andersen's writings—darker and more diverse than previously recognized—reflected the complexities of his life, a far cry from the "happily ever after" of a fairy tale. As we follow in his footsteps from Golden Age Copenhagen to the princely courts of Germany and the villas of southern Italy, Andersen becomes a figure every bit as fascinating as a character from one of his stories—a gawky, self-pitying, and desperate man, but also one of the most gifted storytellers the world has ever known.
Chagall
'When Matisse dies, Chagall will be the only painter left who understands what colour really is.' Picasso said this in the 1950s, when he and Chagall were eminent neighbours living in splendour on the Cote d'Azur. But behind Chagall's role as a pioneer of modern art lay struggle, heartbreak, bitterness, lost love, exile, and the miracle of survival. Born the son of a Russian Jewish herring merchant, Chagall fled the repressive 'potato-coloured' czarist empire in 1911 to develop his genius in Paris, living alongside Modigliani and Leger in La Ruche, the artist's colony where 'you either died or came out famous'. Through war and revolution in Bolshevik Russia, Weimar Berlin, occupied France an...
Monet
A magnificent new biography of the founder of Impressionism In the course of a long and exceptionally creative life, Claude Monet revolutionized painting and made some of the most iconic images in western art. Misunderstood and mocked at the beginning of his career, he risked everything to pursue his original vision. Although close to starvation when he invented impressionism on the banks of the Seine in the 1860s-70s, in the following decades he emerged as the powerful leader of the new painting in Paris at one of its most exciting cultural moments. His symphonic series Haystacks, Poplars, and Rouen Cathedral brought wealth and renown. Then he withdrew to paint only the pond in his garden. ...
Joash Woodrow
Joash Woodrow (1927-2006) was a visionary, semi-reclusive artist whose output of several thousand paintings and drawings was discovered only towards the end of his life - filling a modest suburban house in Leeds to the brim. This book illustrates, and discusses in accompanying essays, the artist's landscape and cityscape pictures from his 1940s' adolescence in Leeds, through richly impastoed 1950s' paintings suffused with 'a latent luminosity', to the defiantly original pictures of his final decades: luminous explorations of scruffy local allotments with their ramshackle huts and glistening white picket fences, and transcendant yet acutely observed panoramas of inner city Leeds with its curious mix of high-tech development and unglamorous, sometimes bizarre local details.
How Photography Became Contemporary Art
A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politici...
Late Constable Hb
On John Constable as a proto-abstractionist of pastoral landscape One of Britain's greatest landscape painters, John Constable was brought up in Dedham Vale, the valley of the River Stour in Suffolk. The eldest son of a wealthy mill owner, he entered the Royal Academy Schools in 1800 at the age of 24, and thereafter committed himself to painting nature out of doors. His "six-footers," such as The Hay Wainand The Leaping Horse, were designed to promote landscape as a subject and to stand out in the Academy's Annual Exhibition. Despite this, he sold few paintings in his lifetime and was elected a Royal Academician late in his career. With texts by leading authorities on the artist, this handso...
Insiders Outsiders
Insiders/Outsiders', published to accompany a UK-wide arts festival of the same name in 2019, examines the extraordinarily rich and pervasive contribution of refugees from Nazi-dominated Europe to the visual culture, art education and art-world structures of the United Kingdom. In every field, emigres arriving from Europe in the 1930s - supported by a small number of like-minded individuals already resident in the UK - introduced a professionalism, internationalism and bold avant-gardism to a British art world not known for these attributes. At a time when the issue of immigration is much debated, the book serves as a reminder of the importance of cultural cross-fertilization and of the deep, long-lasting and wide-ranging contribution that refugees make to British life. Exhibition: Arts festival throughout Britain (May 2019 - May 2020).
Postwar Modern
This landmark volume offers a major re-assessment of the art that emerged in Britain in the twenty years following the end of the Second World War: a period of anxiety, profound social change and explosive creativity. Published to coincide with the Barbican Centre’s 40th anniversary, it draws together the work of fifty artists, exploring a period straddled precariously between the horror of the past and the promise of the future. Spanning painting, sculpture, architecture, ceramics and photography, Postwar Modern will explore a rich field of experiment which challenges the idea that Britain was a cultural backwater at this time. Through new texts by Jane Alison, Hilary Floe, Ben Highmore, ...
