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Indian Ink
The most significant works in recent New Zealand theatre, Krishnan's Dairy, The Candlestickmaker, and The Pickle King form a loose trilogy connected by theme and theatrical style that explores three eternal questions: Will I find love? How can I find happiness? and What is worth preserving? Western theatrical traditions fuse with Indian flavors in the telling of three stories that are accessible to all cultures.
Performing Aotearoa
"This ... volume comprises a wide range of chapters focusing on key figures in the development of New Zealand theatre and drama, such as, among others, Robert Lord, Ken Duncum, Gary Henderson, Stephen Sinclair, Hone Kouka, Briar-Grace Smith, Jacob Rajan, Lynda Chanwai-Earle, Nathaniel Lees, and Victor Rodger."--Publisher description.
Transgressive Itineraries
The fast-growing body of postcolonial drama is progressively gaining its just recognition in the twentieth-century canon of English-language plays. From the vantage point of various samplings along the Trans-Pacific axis linking English Canada, Australia and New Zealand, this monograph seeks to document the significance of this emerging postcolonial theater. More specifically, it examines the myriad ways in which, over the last two decades, representative mainstream, ethnic and First Nations playwrights have dramatized Europe's «Other» in its multiple guises. In their efforts to match new content with innovative form, these artists have followed transgressive itineraries, redrawing the bou...
Beyond Borders
This book examines the global/local intersections and tensions at play in the literary production from Aotearoa New Zealand through its engagement in the global marketplace. Combining postcolonial and world literature methodologies contributors chart the global relocation of national culture from the nineteenth century to the present exploring what "New Zealand literature" means in different creative, teaching, and publishing contexts. They identify ongoing global entanglements with local identities and tensions between national and post-national literary discourses, considering Aotearoa New Zealand’s history as a white settler colony and its status as a bicultural nation and a key player ...
Downstage Upfront
In its first 40 years, from conception to maturity, through stages of growth both painful and pleasurable, Downstage - New Zealand's first and longest running regional professional theatre company - has lived an extraordinary life. This large and lavishly illustrated 'biography' is published to celebrate Downstage's birthday. It covers all the drama and larger-than-life personalities that have characterised Downstage's life, and the many great productions such as Colin McColl's internationally acclaimed relocation of Ibsen's Hedda Gabler to Karori. A major contribution to New Zealand's cultural history.
Stand-alone Photovoltaic Applications
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Continuum Companion to Twentieth Century Theatre
International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating resource for anyone interested in theatre, it includes: - Overviews of major concepts, topics and issues; - Surveys of theatre institutions, countries, and genres; - Biographical entries on key performers, playwrights, directors, designers, choreographers and composers; - Articles by leading professionals on crafts, skills and disciplines including acting, design, directing, lighting, sound and voice.
Shuriken
"The Japanese Military Code was explicit: 'Japanese forces do not surrender to the enemy under any circumstances.' How then would the eight hundred or so prisoners who found themselves in the first Japanese prisoner-of-war camp anywhere in the world behave? They had been brought from the Solomon Islands to Featherston in 1942. Six months later an incident occurred in which forty-nine prisoners and one New Zealand guard were killed. Vincent O'Sullivan explores the implications of this event in a play which immediately rises above mere documentation to consider what happens when people in two cultures are brought togetrher in such extreme circumstances, and when even the best intentions of those who try to offer sympathy and understanding fail in the face of ignorance and prejudice."--Back cover.
The Songmaker's Chair
The Songmaker's Chair tells of a Samoan family, the Aiga Sa Peseola, who have been in Auckland since the 1950s. Over three generations the family have intermarried with M ori and Pakeha to develop what they refer to as the Peseola Way. Central to that Way is the magnificent Polynesian exploration and settlement of the Pacific, and a songmaking tradition which Peseola Olaga, the family patriarch has inherited from his father. At the heart of the play is the love between Peseola Olaga and Malaga, his wife, and how they've struggled to give their children a good life in Aotearoa. For theirs is the Peseola Way: defiant, honest and unflinching even in the face of death.
