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Poetry, Catastrophe, and Hope in the Vision of Isaiah
The book of Isaiah is one of the longest and strangest books of the Hebrew Bible, composed over several centuries and traversing the catastrophe that befell the two kingdoms of Israel and Judah in the 8th and 6th centuries BCE. Francis Landy's book tells the story of the poetic response to catastrophe, and the hope for a new and perfect world on the other side. The study traces two parallel developments: the displacement of the Davidic promise onto the Persian Empire, Israel, and the prophet himself; and the transition from exclusively male images of the deity to the matching of male and female prototypes, whereby YHWH takes the place of the warrior goddess. Poetry, Catastrophe, and Hope in ...
The Wealth of Nations
"Michael J. Chan argues, on a methodological level, for the deeper integration of iconographic materials into the task of tradition history-a method that has tended to focus on textual evidence alone. Following the work of O.H. Steck, however, 'tradition' is understood in more flexible terms, to refer to inherited concepts and constellations, which can exist across multiple media. The author undertakes a tradition-historical study of the 'Wealth of Nations Tradition' - a series of texts in which the foreign nations of the earth bring their wealth to Zion (1 Kgs 10:1-10, 13, 15//2 Chr 9:1-9, 12, 14; 1 Kgs 10:23-25//2 Chr 9:22-24; Pss 68:19, 29-32; 72:10-11; 76:12; 96:7-8//1 Chr 16:28-29; Isa 18:7; 45:14; 60:4-17; 61:5-6; 66:12; Zeph 3:10; 2 Chr 32:23). The Wealth of Nations tradition is found throughout the ancient Near East. Michael J. Chan shows that in some cases, the biblical texts reflect this tradition with little to no modification while in others the tradition is recast in creative and disruptive ways"--
Isaiah After Exile
Also Published By Oxford University Press --
Israel's Scriptures in Early Christian Writings
How did New Testament authors use Israel’s Scriptures? Use, misuse, appropriation, citation, allusion, inspiration—how do we characterize the manifold images, paraphrases, and quotations of the Jewish Scriptures that pervade the New Testament? Over the past few decades, scholars have tackled the question with a variety of methodologies. New Testament authors were part of a broader landscape of Jewish readers interpreting Scripture. Recent studies have sought to understand the various compositional techniques of the early Christians who composed the New Testament in this context and on the authors’ own terms. In this landmark collection of essays, Matthias Henze and David Lincicum marsh...
Scripture and Theology
The academic disciplines of Biblical Studies and Systematic Theology were long closely linked to one another. However, in the modern period they became gradually separated which led to increasing subject specialization, but also to a lamentable lacuna within the various branches of Divinity. As the lack of dialogue between Biblical Studies and the various theological disciplines increased, a minority-group of scholars in the past few decades reacted and sought to re-establish the time-honoured bonds between the disciplines. The present volume is part of this intellectual response, with contributions from scholars of various professional and denominational backgrounds. Together, the book's 25 chapters seek to reinvigorate the crucial cross-disciplinary dialogue, involving biblical, narrative, historical, systematic-theological and philosophic-theological perspectives. The book opens the horizon to contemporary research, and fills a lamentable research gap with a number of fresh contributions from scholars in the respective sub-disciplines
Divine Production in Late Medieval Trinitarian Theology
This book examines the central ideas that defined the debate about divine production in the Trinity in the late 13th and early 14th centuries, namely those of Henry of Ghent, John Duns Scotus, and William Ockham. Their discussions are significant for the history of trinitarian theology and the history of philosophy.
The Oxford Handbook of Isaiah
The book of Isaiah is without doubt one of the most important books in the Hebrew Bible/Old Testament, as evidenced by its pride of place in both Jewish and Christian traditions as well as in art and music. Most people, scholars and laity alike, are familiar with the words of Isaiah accompanied by the magnificent tones of Handel's 'Messiah'. Isaiah is also one of the most complex books due to its variety and plurality, and it has accordingly been the focus of scholarly debate for the last 2000 years. Divided into eight sections, The Oxford Handbook of Isaiah constitutes a collection of essays on one of the longest books in the Bible. They cover different aspects regarding the formation, interpretations, and reception of the book of Isaiah, and also offer up-to-date information in an attractive and easily accessible format. The result does not represent a unified standpoint; rather the individual contributions mirror the wide and varied spectrum of scholarly engagement with the book. The authors of the essays likewise represent a broad range of scholarly traditions from diverse continents and religious affiliations, accompanied by comprehensive recommendations for further reading.
Continuity and Discontinuity
This volume of collected essays focuses on the relationship between the different texts within Isaiah 40–66. It reinvestigates and challenges the traditional division between chapters 40–55 and 56–66 and explores new ways of reading the last 27 chapters of the book of Isaiah. Each article examines Isaiah 40–55 and/or Isaiah 56–66 and highlights continuity and discontinuity within this material.Some contributions belong to the tradition of historical-critical research. They examine existing models of textual development of Isa 40–66 and offer new suggestions. They also explore the interplay between the historical development of the text and its thematic continuity and discontinuit...
