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Caribbean Men in the Arts
This collection showcases how different forms of manhood perform in artistic spaces. The selections take an in-depth review and exploration of the emotional and artistic landscape of Caribbean men who dare to carve out a place for themselves in the visual and performance mediums. The pieces demonstrate that Caribbean men are forging more varied and wholesome ways to describe their masculinities, where they are allowed to thrive and engage in the same spaces without violence and exclusionary attitude, just as they can do in the arts. The manuscript also sets up a nucleus that will allow a progression of essential advances in the scholarly scrutiny of Black men and Black masculinities. This book will interest individuals in the arts, gender studies incorporating masculinities and femininities and black studies, and also prove to be useful for students in high schools and colleges/universities.
Leonard Percival Howell and the Genesis of Rastafari
This volume is the product of interest in both Howell and the genesis of the Rastafari movement. The volume was conceived and compiled by Rastafari scholars that hail from a range of disciplines at the University of the West Indies, Mona, Jamaica, thus assuring a cross-disciplinary feel for this important contribution to Rastafari scholarship.
Rastafari and the Arts
Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.
An Anthology of African Cultural Studies, Volume I
This volume provides an overview of fundamental or ‘grounding’ themes in African Cultural Studies, including the articulation of African cultural studies, the issue of Africa’s diaspora(s), African identity and identifications, and media studies in Africa and its relationship with cultural studies. The first of two volumes, the book predominantly pulls together a rich reservoir of previously published articles from Critical Arts: South-North Cultural and Media Studies, mapping a long history of the field that draws from a diverse range of origins and locations, especially from within Africa itself. The first section of the book addresses how African cultural studies has been called for...
Drug Policies and the Politics of Drugs in the Americas
This book is a collection of studies of drug policies in several Latin American countries. The chapters analyze the specific histories of drug policies in each country, as well as related phenomena and case studies throughout the region. It presents conceptual reflections on the origins of prohibition and the “War on Drugs,” including the topic of human rights and cognitive freedom. Further, the collection reflects on the pioneering role of some Latin American countries in changing paradigms of international drug policy. Each case study provides an analysis of where each state is now in terms of policy reform within the context of its history and current socio-political circumstances. Concurrently, local movements, initiatives, and backlash against the reformist debate within the hemisphere are examined. The recent changes regarding the regulation of marijuana in the United States and their possible impact on Latin America are also addressed. This work is an important, up-to-date and well-researched reference for all who are interested in drug policy from a Latin American perspective.
Africa and its Historical and Contemporary Diasporas
Africa and its Historical and Contemporary Diasporas edited by Tunde Adeleke and Arno Sonderegger is an interdisciplinary study of the changing and complex nature of the Africa-Black Diaspora relationship. The contributors highlight the problems and challenges of this relationship and provide strategies for developing a more functional and mutually beneficial engagement in a radically changing global environment. This book presents new methodological approaches and research to study the many dimensions and complexities of Africa and its Diasporas. Collectively, this book addresses three vital themes. First, it foregrounds new and emerging forces reshaping the Africa-Black Diaspora nexus. Second, it highlights new and interdisciplinary approaches to “Diaspora” and “Pan-Africanism” (culture, religion, ideology, literature, philosophy, and epistemology). Third, it examines factors infusing the transformation in, and challenges of, African Diaspora and Pan-Africanist collaborations, and possible strategies of strengthening the relationship.
Rastafari in the New Millennium
In the dawn of the new African Millennium, the Rastafari movement has achieved unheralded growth and visibility since its inception more than eighty years ago. Moving beyond a pure spiritual movement, its aesthetic component has influenced cultures of the Caribbean, the United States, and others across the globe. Locating the Rastafari movement at a literal and figurative crossroad, Barnett sets out to consider the possible paths the movement will chart. Rastafari in the New Millennium covers a wide range of perspectives, focusing not only on the movement’s nuanced and complex religious ideology but also on its political philosophy, cosmology, and unique epistemology. Barry Chevannes’s e...
Visions of Zion
In reggae song after reggae song Bob Marley and other reggae singers speak of the Promised Land of Ethiopia. Repatriation is a must they cry. The Rastafari have been travelling to Ethiopia since the movement originated in Jamaica in 1930s. They consider it the Promised Land, and repatriation is a cornerstone of their faith. Though Ethiopians see Rastafari as immigrants, the Rastafari see themselves as returning members of the Ethiopian diaspora. Ina Visions of Zion, Erin C. MacLeod offers the first in-depth investigation into how Ethiopians perceive Rastafari and Rastafarians within Ethiopia and the role this unique immigrant community plays within Ethiopian society. Rastafari are unusual am...
Could You Be Loved
COULD YOU BE LOVED is of all Humankind acknowledging shared origin for Progress with Peace. " . . insightful . . incisive and instructive . . a beautiful poetic move . . brilliant . . author, poet, philosopher Tekla Mekfet relates Bob Marley's poetics to African philosophy, the Bible and the problems of Babylon as we encounter them in Jamaica and the world. . . helps to resolve the tension between the individual and the community, in Rasta poetics . . Historical memory . . clues to liberation in the present. Out of history and prophecy . . philosophy in Rastafari offers unaccustomed wide practical application." (Dr. Noel Erskine, Professor of Theology & Ethics, Emory University, USA). " . . ...
A Postcolonial Political Theology of Care and Praxis in Ethiopia's Era of Identity Politics
The author argues that identity politics eliminates Ethiopians' in-between spaces and identities and defines in-between spaces as political, social, religious, and geographical spaces that enable Ethiopians to co-exist with equity, solidarity, and justice. The elimination of in-between spaces and in-between identities creates either-or class, religious, ethnic, and gender categories. Therefore, the author proposes an in-between theology that invites Ethiopians to a new hybrid way of being to resist fragmented and hegemonic identities. The author claims that postcolonial discourse and praxis of in-between pastoral care disrupts and interrogates hegemonic definitions of culture, home, subjectivity, and identity. On the other hand, in-between pastoral care uses embodiment, belonging, subjectivity, and hybridity as features of care and praxis to create intercultural and intersubjective identities that can co-construct and co-create in-between spaces. In the in-between spaces, Ethiopians can relate with the Other with intercultural competencies to live their difference, similarity, hybridity, and complexity.
