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Latin American Identity in Online Cultural Production
This volume provides an innovative and timely approach to a fast growing, yet still under-studied field in Latin American cultural production: digital online culture. It focuses on the transformations or continuations that cultural products and practices such as hypermedia fictions, net.art and online performance art, as well as blogs, films, databases and other genre-defying web-based projects, perform with respect to Latin American(ist) discourses, as well as their often contestatory positioning with respect to Western hegemonic discourses as they circulate online. The intellectual rationale for the volume is located at the crossroads of two, equally important, theoretical strands: theories of digital culture, in their majority the product of the anglophone academy; and contemporary debates on Latin American identity and culture.
Post-Global Aesthetics
Phenomena such as the Covid-19 pandemic, climate change, or the surge of political populism show that the current phase of accelerated globalization is over. New concepts are needed in order to respond to this exhaustion of the global project: the volume scrutinizes these responses in the aesthetic realm and under a "post-global" banner, while incorporating alternative, non-Western epistemologies and literatures of the post-colonial Global South.
Hipertexto y literatura
Itinerario de una sospecha - El hipertexto como observatorio - Literatura y nuevas tecnologías - Hipertexto y literatura - Hipertexto y posmodernidad - El hipertexto y el universo neobarroco - Hipertexto y carnaval - Hipertexto y anarquismo - El hipertexto : ¿un objeto cultural híbrido?
On Migration
This volume is based on the section “Transnationalities – Transidentities – Hybridities – Diasporization”, organized by the Ibero-American and Francophone Research Centres of the University of Leipzig as part of the First Annual Conference of the Centre for Area Studies at the University of Leipzig. By now, already a decade has passed since our conference section took place and it is due to various circumstances that this volume has not been published earlier. It carries along, in some sense, its own migration trace. Nevertheless, the questions examined in the contributions have reached even more relevance since then in both, the Old World and the New, due to the various political,...
Electronic Literature in Latin America
This book explores one of the most exciting new developments in the literary field to emerge over recent decades: the growing body of work known as ‘electronic literature’, comprising literary works that take advantage of the capabilities of digital technologies in their enactment. Focussing on six leading authors within Latin(o) America whose works have proved pioneering in the development of these new literary forms, the book proposes a three-fold approach of aesthetics, technologics, and ethics, as a framework for analyzing digital literature.
Marijuana Boom
Before Colombia became one of the world’s largest producers of cocaine in the 1980s, traffickers from the Caribbean coast partnered with American buyers in the 1970s to make the South American country the main supplier of marijuana for a booming US drug market, fueled by the US hippie counterculture. How did Colombia become central to the creation of an international drug trafficking circuit? Marijuana Boom is the story of this forgotten history. Combining deep archival research with unprecedented oral history, Lina Britto deciphers a puzzle: Why did the Colombian coffee republic, a model of Latin American representative democracy and economic modernization, transform into a drug paradise, and at what cost?
Short Story Theories
Short Story Theories: A Twenty-First-Century Perspective problematizes different aspects of the renewal and development of the short story. The aim of this collection is to explore the most recent theoretical issues raised by the short story as a genre and to offer theoretical and practical perspectives on the form. Centering as it does on specific authors and on the wider implications of short story poetics, this collection presents a new series of essays that both reinterpret canonical writers of the genre and advance new critical insights on the most recent trends and contemporary authors. Theorizations about genre reflect on different aspects of the short story from a multiplicity of per...
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La interdisciplinariedad en la universidad contemporánea
La esencia de la inter y la transdisciplinariedad es la construcción o producción de conocimiento para enfrentar problemas que requieren de una mirada múltiple –los llamados problemas complejos– y ofrecer soluciones, o para buscar una perspectiva holística en medio de la creciente compartimentación del saber en especialidades cada vez más alejadas unas de otras. La interdisciplinariedad se propone superar las fronteras entre las disciplinas, ya sean epistemológicas, sociológicas, institucionales o, en su forma más extrema, legales. Además, se plantea como la interrelación de las disciplinas para lograr propósitos que estas no podrían alcanzar individualmente. La preocupación por las formas de producción y reproducción del conocimiento le compete a la universidad como institución, pues ella certifica el conocimiento, reproduce su corpus de manera formal y está encargada de educar a los futuros profesionales e investigadores. Sus formas organizativas y sus políticas son, entonces, puntos neurálgicos del cuestionamiento de la producción del saber.
Nociones de Cibercultura y Periodismo
"El hombre crea cultura y mediante la cultura se crea a sí mismo". Anónimo. "El hombre es el reflejo de su cultura así que debe aprender a crecer con ella". Anónimo "El periodismo es libre o es una farsa". Rodolfo Walsh "El verdadero periodismo debe ser constructivo". Jorge González Moore "Estoy muy interesado en el progreso y avance del periodismo, después de haber dejado parte de mi vida en esa profesión, la recuerdo como una noble profesión de inigualable importancia por su influencia". Joseph Pulitzer "Internet es como un gran inventario (de información), pero no constituye en sí misma la memoria". Umberto Eco
