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The Last Good Kiss
'As sweetly profane a poet as American noir could have asked for' Ian Rankin 'A friggin' masterpiece' Dennis Lehane 'The stunner that reinvigorated the genre and jacked up a generation of future crime novelists' George Pelecanos Meet Private Detective C. W. Sughrue. Private detectives are supposed to find missing persons and solve crimes. But more often than not Sughrue is the one committing the crimes – everything from grand theft auto to criminal stupidity. All washed down with a hearty dose of whiskey and regret. At the end of a three-week hunt for a runaway bestselling author, Sughrue winds up in a ramshackle bar, with an alcoholic bulldog. The landlady’s daughter vanished a decade ago and now she wants Sughrue to find her. His search will take him to the deepest, darkest depths of San Francisco’s underbelly, a place as fascinating, frightening and flawed as he is. Welcome to James Crumley’s America.
The Last Good Kiss
"'As sweetly profane a poet as American noir could have asked for' Ian Rankin 'A friggin' masterpiece' Dennis Lehane 'The stunner that reinvigorated the genre and jacked up a generation of future crime novelists' George Pelecanos Meet Private Detective C. W. Sughrue. Private detectives are supposed to find missing persons and solve crimes. But more often than not Sughrue is the one committing the crimes u everything from grand theft auto to criminal stupidity. All washed down with a hearty dose of whiskey and regret. At the end of a three-week hunt for a runaway bestselling author, Sughrue winds up in a ramshackle bar, with an alcoholic bulldog. The landlady's daughter vanished a decade ago and now she wants Sughrue to find her. His search will take him to the deepest, darkest depths of San Francisco's underbelly, a place as fascinating, frightening and flawed as he is. Welcome to James Crumley's America."
Bordersnakes
C.W. Sughrue has been gut-shot and left to die and is, for the first time in his life, actually scared—which makes him angry. Milo Milodragovitch has been robbed of his three-million dollar inheritance by a pipsqueak banker and a butch lady poet; he’s not scared at all, just pissed. In a spiffy suit and a red Cadillac, Milo trails his thieves to the Mexican border, where the community consists of “three kinds of drug smugglers, six different breeds of law dogs, and every kind of criminal ever dreamed up”—that is, bordersnakes. When Milo and Sughrue cross paths, they head off together on a dope-smoking, trash-talking, hard-drinking, blood-spattering roadtrip across the West.
The Wrong Case
Milo Milodragovitch is a once-successful divorce lawyer, who now prefers to spend his days drinking and staring out the window. That all changes when Helen Duffy walks into his office and asks him to find her missing brother. Though it's not his usual line of work, Milo agrees to help - he needs the money, and he wants to spend more time with this beautiful woman. But this is far from a routine case, and whispers of a long-past crime haunt Milo's every move . . . 'As sweetly profane a poet as American noir could have asked for' Ian Rankin 'Like James Ellroy, he is a master of American vernacular, turning tough-guy slang into something like poetry' Independent
Lakeland Wild
The Lake District is one of our busiest national parks. Many people believe that wildness is long gone from the fells, lakes, tarns and becks, yet, within its boundaries, Jim Crumley sets out to prove them wrong – to find “a new way of seeing and writing about this most seen and written about of landscapes". With a naturalist’s eye and a poet’s instinct he is drawn to Lakeland’s turned-aside places where nature still thrives, from low-lying shores to a high mountain oakwood that’s not even on the map. Through backwaters and backwoods, Crumley traces this captivating land’s place in the evolution of global conservation and pleads the case for a far-reaching reappraisal of all of Lakeland’s wildness.
The Wrong Case
"Milo Milodragovitch is a once-successful divorce lawyer, who now prefers to spend his days drinking and staring out the window. That all changes when Helen Duffy walks into his office and asks him to find her missing brother. Though it's not his usual line of work, Milo agrees to help - he needs the money, and he wants to spend more time with this beautiful woman. But this is far from a routine case, and whispers of a long-past crime haunt Milo's every move . . . 'As sweetly profane a poet as American noir could have asked for' Ian Rankin 'Like James Ellroy, he is a master of American vernacular, turning tough-guy slang into something like poetry' Independent"
Lone Star Noir
“Traverses Texas, finding evidence of the hard boiled, sultry, and disreputable throughout the state . . . Think of the book as a sort of criminal travelogue.” —Booklist If everything is bigger in Texas, then that includes the boldness of the criminals who call the state home. From large urban centers to the Cajun Gulf coast, there is big money to be made running guns, drugs, and catering to the greedy and disillusioned. Each distinctive region can claim its own special brand of outlaw. In Lone Star Noir, you’ll find stories by James Crumley, Joe R. Lansdale, Claudia Smith, Ito Romo, Luis Alberto Urrea, David Corbett, George Wier, Sarah Cortez, Jesse Sublett, Dean James, Tim Tingle, Milton T. Burton, Lisa Sandlin, Jessica Powers, and Bobby Byrd. “This isn’t J.R. Ewing’s Lone Star State. This is the Texas of chicken shit bingo, Enron scamsters, and a feeling that what happens in Mexico stays in Mexico . . . So what defines Texas noir? Who knows, but you better pray that blood doesn’t stain your belt buckle.” —The Austin Chronicle
The Right Madness
'The poet laureate of hard-boiled literature, superior even to James Lee Burke in his ability to evoke extreme melancholy, gruesome violence and an acute sense of landscape... Deeply compelling' Guardian Things are never straightforward for private detective C. W. Sughrue. A long-time recovering Vietnam veteran and prone to trouble, he’s finally enjoying a slower pace of life. Until, that is, his old friend - psychiatrist William Mackinderick - enlists his help in shadowing some of his patients. Mackinderick suspects one of them may have taken highly confidential files from his office and he’s desperate to know who. But soon Sughrue’s not tracking them alive but dead, as one after the other they meet a gruesome end. Sughrue thought he’d seen it all before but he’s been proved wrong...madness knows no bounds.
