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Introducing English
  • Language: en
  • Pages: 302

Introducing English

Over the past thirty years, composition has flowered as a discipline in the academy. Doctoral programs in composition abound, and its position in the pantheon of academic fields seems assured. There is plenty of work in composition. But what is the nature of that work now, and what should it be? James Slevin asks such probing, primary questions in Introducing English, an overdue assessment of the state of composition by one of its most respected practitioners. Too often, Slevin claims, representations of composition take the form of promoting the field and its specialists, rather than explaining the fundamental work of composition and its important consequences. In thirteen thematical...

Critical Theory and the Teaching of Literature
  • Language: en
  • Pages: 400

Critical Theory and the Teaching of Literature

  • Type: Book
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  • Published: 1996
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  • Publisher: Unknown

The 21 essays in this book interrogate one another as they explore the relationships among politics, curriculum, and pedagogy in contemporary classrooms and cultures. Critical theory, the book suggests, is generated in and through classroom practice, rather than imported from without. After an introduction by James F. Slevin and Art Young, essays in the book are: (1) "Daring To Dream: Re-Visioning Culture and Citizenship" (Mary Louise Pratt); (2) "What We Talk about When We Talk about Politics" (John Warnock); (3) "Theory, Confusion, Inclusion" (Keith Hjortshoj); (4) "The Unconscious Troubles of Men" (David Bleich); (5) "Teaching Literature: Indoctrination vs. Dialectics" (Min-Zhan Lu); (6) ...

Edinburgh Companion to the Arab Novel in English
  • Language: en
  • Pages: 516

Edinburgh Companion to the Arab Novel in English

Opening up the field of diasporic Anglo-Arab literature to critical debate, this companion spans from the first Arab novel in 1911 to the resurgence of the Anglo-Arabic novel in the last 20 years. There are chapters on authors such as Ameen Rihani, Ahdaf

Writing Ourselves Into the Story
  • Language: en
  • Pages: 400

Writing Ourselves Into the Story

  • Type: Book
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  • Published: 1993
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  • Publisher: SIU Press

Collects 23 essays, research studies, and personal narratives on topics connected with teaching composition, topics and "voices" rarely found in scholarly journals or at professional conferences. Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR

Lost Texts in Rhetoric and Composition
  • Language: en
  • Pages: 387

Lost Texts in Rhetoric and Composition

A project of recovery and reanimation, Lost Texts in Rhetoric and Composition foregrounds a broad range of publications that deserve renewed attention. Contributors to this volume reclaim these lost texts to reenvision the rhetorical tradition itself. Authors discussed include not only twentieth-century American compositionists but also a linguist, a poet, a philosopher, a painter, a Renaissance rhetorician, and a nineteenth-century pioneer of comics; the collection also features some less-studied works by authors who remain well known. These texts will give rise to new conversations about current ideas in rhetoric and composition. This volume contains discussion of the following authors and titles: Judah Messer Leon, The Book of the Honeycomb's Flow, Angel DeCora, Sterling Andrus Leonard, English Composition as a Social Problem, Rodolphe Töpffer, William James, Kenneth Burke, Adrienne Rich, Ann E. Berthoff, John Mohawk, "Western Peoples, Natural Peoples," William Vande Kopple, William Irmscher, Beat Not the Poor Desk, Walter J. Ong, Geneva Smitherman, Thomas Zebroski, Linda Brodkey, Craig S. Womack, Deborah Cameron, James Slevin, Marilyn Sternglass, and William E. Coles, Jr.

Teaching in the 21st Century
  • Language: en
  • Pages: 385

Teaching in the 21st Century

  • Type: Book
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  • Published: 2002-05-03
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  • Publisher: Routledge

The essays in this book argue that the active learning strategies that teachers trained in composition use for their literature courses can be exported to other disciplines to enhance both teacher performance and student learning. The book provides and explains examples of those strategies and illustrates how they have been effectively used in other disciplines.

Why Literature?
  • Language: en
  • Pages: 175

Why Literature?

  • Type: Book
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  • Published: 2011-05-05
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  • Publisher: A&C Black

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Teaching in the 21st Century
  • Language: en
  • Pages: 384

Teaching in the 21st Century

  • Type: Book
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  • Published: 2002-05-03
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  • Publisher: Routledge

The essays in this book argue that the active learning strategies that teachers trained in composition use for their literature courses can be exported to other disciplines to enhance both teacher performance and student learning. The book provides and explains examples of those strategies and illustrates how they have been effectively used in other disciplines.

The Next Generation
  • Language: en
  • Pages: 33

The Next Generation

This monograph presents results and recommendations from a project designed as a collaborative effort to prepare graduate students in the humanities for careers as scholar-teachers within institutions committed to liberal education. The project's two principle activities are discussed under the following headings: (1) Encountering Campus Cultures: Discovering the Responsibilities of College Teachers; and (2) Seminars: Reflecting on the Responsibilities of College Teachers. The first of these activities involved the Teaching Fellows in campus visits during which they attended department and faculty meetings, observed and sometimes taught classes, and met with individual faculty members who as...

Composition in the Twenty-first Century
  • Language: en
  • Pages: 324

Composition in the Twenty-first Century

  • Type: Book
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  • Published: 1997
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  • Publisher: SIU Press

The essays in this book, stemming from a national conference of the same name, focus on the single subject required of nearly all college students--composition. Despite its pervasiveness and its significance, composition has an unstable status within the curriculum. Writing programs and writing faculty are besieged by academic, political, and financial concerns that have not been well understood or addressed. At many institutions, composition functions paradoxically as both the gateway to academic success and as the gatekeeper, reducing access to academic work and opportunity for those with limited facility in English. Although writing programs are expected to provide services that range fro...