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A collection of poems, essays, and manuscripts by author James Hoggard, including those published and unfinished. Individual works frequently feature handwritten edits by Hoggard’s own hand.
"Only one generation away from the pioneers who first broke the soil, Kiowa Falls is surrounded by newly discovered oil fields. Yet the daughter of the town's mayor, Ru-Marie, is a well-read young Romantic and budding artist. Her tastes in love, her parents insist, are not so refined. As they throw off their sham of civil behavior, a bitter family war erupts and with it, frontier justice"--Jacket flap.
James Hoggard's new collection of poems is an elegant, highly energetic volume that takes its readers through a wealth of settings, times, and forms. As versatile a poet as there is, Hoggard time and again turns his attention to forms like pantoum and ghazals that heighten the readers' responses to the stories he tells in verse. In fact, one of the signal pieces in the volume shows Hoggard unearthing an old story about Odysseus' trying through a wealth of trickery to get out of going to the Trojan War. What the tale adds up to, however, is a deeply moving love story that seems genuinely contemporary. Running throughout this collection is a powerful use of environmental collapse as both theme and metaphor.
The more than two dozen personal essays in this new collection by one of Texas's master storytellers range from travel pieces about Havana and London to stories about small-town exotics that are funny, nervy, outlandish, and all characterized by James Hoggard's sly wit and his noted openness to people he meets along the way. Fast-paced, yet at the same time reflective, Hoggard guides his readers into some of the wonderfully strange turns of the world, including a Saturday morning gathering of khaki-dressed men who have hunkered down at a Dairy Queen to get away from their women who want them to spend the day doing chores. At the same time they see Hoggard as a bicycle-riding exotic who finds it normal to go out and bike 60-odd miles before lunch. Now and then the encounters are hair-raising, sometimes scary, but Hoggard always provides the kind of interior monologues that draw upon both deep reading and deep observation.
The more than two dozen personal essays in this new collection by one of Texas's master storytellers range from travel pieces about Havana and London to stories about small-town exotics that are funny, nervy, outlandish, and all characterized by James Hoggard's sly wit and his noted openness to people he meets along the way. Fast-paced, yet at the same time reflective, Hoggard guides his readers into some of the wonderfully strange turns of the world, including a Saturday morning gathering of khaki-dressed men who have hunkered down at a Dairy Queen to get away from their women who want them to spend the day doing chores. At the same time they see Hoggard as a bicycle-riding exotic who finds it normal to go out and bike 60-odd miles before lunch. Now and then the encounters are hair-raising, sometimes scary, but Hoggard always provides the kind of interior monologues that draw upon both deep reading and deep observation.
Conjuring the voice of Edward Hopper, this collection of poetry investigates the mind of an iconic American painter. The poems convey both frightening and amusing messages as "Hopper" commentates on his own paintings--from the iconic Nighthawks to his depiction of his wife and himself taking a final bow in Two Comedians--as well as those of other artists. Shocking in their honesty, these poems also provide a window into the American Modernist period due to their biographical nature and evaluations of the visual arts.
Dave Oliphant is widely considered the finest poetry critic ever produced by Texas. This volume brings together some 40 years of essays, articles, and reviews on the topic of Texas poetry -- its history as well as addressing individual poets and their books. Only one other book in the last two decades addressed the topic, and GENERATIONS OF TEXAS POETS is larger, more comprehensive, and of superior literary quality. In 1971, Larry McMurtry famously descried the lack of good Texas poetry; Oliphant has spent a lifetime nurturing it, publishing it, and has become its best critic.
A collection of essays that discuss the evolution of Texas literature from the state's settlement through the twentieth century.
Scarlet and Black documents the history of Rutgers's connection to slavery, which was neither casual nor accidental--nor unusual. Like most early American colleges, Rutgers depended on slaves to build its campuses and serve its students and faculty. The contributors offer this history as a usable one--to strengthen Rutgers and help direct its course for the future.