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THE SAVAGE AMERICAN tells the story of Victorio, an Apache Indian, a Vietnam decorated war veteran and the last living member of a Willow Creek Reservation family. His anger builds as he observes the continuous erosion of their Treaty rights and suffers the abuse of Dumbroff, a San Vicente County Deputy Sheriff. Tribal efforts to build an earth fill dam to serve their cattle, all within reservation boundaries, is dynamited with the loss of many Indian lives as well as loss of agriculture property bordering Willow Creek. Elected Chairman of the Tribal Council, Victorio calls a Tribal Meeting and delivers a passionate plea to close the reservation to all non-residents until their rights are re...
THE BLACK NAPOLEON relates, in fast-paced storytelling, racial conflicts caused by unbending political and social attitudes meeting head-on with strong and determined black efforts to establish a free society. Color lines are crossed and re-crossed as the passions of the many-tiered society explode. The coals of the revolution of 1795-1803 that overturned the Bourbon dynasty of the French royal house ignited a fire on the island of Haiti in the Caribbean more than two thousand miles west of France and light years distant in human affairs. French Colonists had established paradise for themselves and a living hell for five hundred thousand black slaves. A parade of memorable giants live within...
The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limiting as they are enabling. Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; “post-Black” art, the role of black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. Against a Sharp White Background covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. This collection challenges mainstream book history and print culture to understand that race and racialization are inseparable from the study of texts and their technologies.
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"Why didn't you try to escape?" That was all she said. I had imagined my grandmother telling us how lovely it was to see us at last. I saw again in my mind's eye the barbed wire fences and the soldiers with the glistening bayonets, and felt once more that excruciating fear in the pit of my stomach. Try to escape? Lots of people had tried to escape. When the Japanese invaded the beautiful Indonesian island of Java during the Second World War Clara Kelly was four years old. Her family was separated, her father sent to work on the Burma railway, and she together with her mother and her two brothers, one a six-week-old baby, was sent to a 'women's camp'. They were interned there until the end of the war. Clara's descriptions of the appalling deprivations and impersonal brutality of the camp, easily recognisable as the same techniques used in the infamously cruel Japanes prisoner of war camps - standing in the baking heat for hours of 'Tenko' role-call, living on one cup of rice a day - are countered by the courage and resilience shown by all the internees, most poignantly her own mother.