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This book examines the role of civil law in determining mental capacity over a five hundred year period in England and in New Jersey.
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The migration caused by Ireland's potato famine gave Birmingham the fourth highest Irish-born population of any English or Welsh town in the mid-1800s. This book examines this important aspect of English-Irish history, and explains how events in Birmingham have influenced Irish political figures.
From its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home Video, James Moran takes on this neglected aspect of popular culture. He offers a history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication. Book jacket.
Unlike other studies, Committed to the State Asylum shows the important role that the community played in shaping the asylum and tackles the thorny issue of state development, explaining how state asylums developed differently in each province. He considers Canada?s pioneering institutional efforts at dealing with the criminally insane and why those efforts lasted only a short time, shedding new light on the debate about the nature and extent of state involvement in nineteenth-century Canadian society. Committed to the State Asylum offers new insights into the ways in which both ordinary families and the state understood and responded to those they thought had crossed the boundaries of sane behaviour.
"My masters will follow the example of Rome... our mighty empire bestraddling the whole of civilization!" It is AD 79, and the TARDIS lands in Pompeii on the eve of the town's destruction. Mount Vesuvius is ready to erupt and bury its surroundings in molten lava, just as history dictates. Or is it? The Doctor and Donna find that Pompeii is home to impossible things: circuits made of stone, soothsayers who read minds and fiery giants made of burning rock. From a lair deep in the volcano, these creatures plot the end of humanity - and the Doctor soon finds he has no way to win...