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The Big Hit
In Harvey’s first new thriller in more than fifteen years, a starlet’s murder draws an NYPD detective into a cross-country manhunt Mongo wakes up, brushes his teeth, and prepares to kill a movie star. He needs a wig and a phony press pass, as well as a very special tape recorder that holds two fléchettes, one of which is earmarked for screen siren Catherine Delure. A bit of smooth talk takes Mongo past Delure’s security and into her hotel room, where he completes his assignment with ease. The hit was simple, he thinks. But it is about to go terribly wrong. Delure appears to have been shot during a robbery, but homicide detective Jeb Barker is not fooled. Tracking the self-assured assassin leads the PI first to Las Vegas, then to California—where blue sky and palm trees cannot distract him from the darkness within the hit man’s heart.
Flesh and Blood
After a senator’s scandalous death, police detective Ben Tolliver investigates the man’s wretchedly corrupt family Ten years after leaving the Senate, Clayton Cunningham III remains as powerful as ever. In his boardroom, he rules over a business empire that stretches across the globe. In his dining room, he controls his family with a tight fist. And in his bedroom, well—in his bedroom the senator does whatever he wants. After commanding his children to get an SEC investigation of the family finances under control, he retires to make love to his mistress. He is just starting to enjoy himself when he feels a pain—and drops dead. NYPD homicide detective Ben Tolliver plans to make Cunningham’s lover his chief witness, but she dies of an apparent suicide not long after the senator’s demise. As public pressure mounts to find Cunningham’s killer, Tolliver grapples with a family for whom lying is second nature—and murder might come easily as well.
Mental Case
NYPD detective Ben Tolliver investigates a series of seemingly motiveless murders A beautiful woman strides into a jewelry store and asks to try on the finest diamond they have. After admiring it in the mirror, she draws a revolver and kills everyone in the shop, screaming, “Horrible! Vile! Hideous! Filthy!” As the smoke clears, she looks at the security camera, puts the pistol in her mouth, and pulls the trigger. Who was this woman? Why did she kill, and why did she turn the gun on herself? The case falls to Detective Ben Tolliver, a homicide cop who is not afraid of asking tough questions. The killer was the daughter of a major political player who will do whatever it takes to cover up his child’s troubled past. At the root of the conspiracy is a disturbed doctor whose experiments go far beyond ethical science, and who has the power to destroy Tolliver’s mind, body, and soul.
Dead Game
Framed for murder, NYPD detective Ben Tolliver confronts a brilliant serial killer Razek gets into Jan’s apartment by pretending to deliver flowers. Once she opens the door, the game is already over. He pushes his way in, pistol in hand, and tells her that he has not come to rape her; he just wants to make love. At gunpoint, she makes drinks, puts on music, and finally disrobes as Razek fights to ignore the voice in his head that tells him to kill her. Of course, the voice always wins in the end. Before he leaves, Razek plants evidence around the apartment implicating NYPD detective Ben Tolliver. Razek is a game player, and he thinks it would be fun to frame a cop for murder. To keep himself out of jail and avenge the murdered woman, Tolliver will have to learn to beat a madman at his own game.
By Reason of Insanity
A troubled homicide cop chases a killer with an artistic sensibility Marketing executive Peter Barrows spends his nights scouring Greenwich Village for wannabe models. He lures them back to his studio with promises of stardom, getting their hopes up just before he snaps their necks. Then his work begins, arranging their corpses to be photographed, giving them the grace and poise they never possessed in life. Peter Barrows is an artist—and death is his medium. A hard-bitten cop with a secret in his past, Ben Tolliver is obsessed with the Greenwich Village murders. After the third girl is found, he throws himself wholeheartedly into the search for the killer with the camera. Barrows believes that an artist must be willing to sacrifice anything for his work—and as Tolliver is about to find, bringing a crazed killer to justice demands nothing less.
Painted Ladies
NYPD detective Ben Tolliver tracks a killer with a taste for expensive call girls When the escort service sends Caroline to the Plaza, she dreams of a handsome client with an open wallet. Instead, she is greeted by the businessman’s assistant, who insists on vetting the girl before she can start work. At her command, Caroline undresses, turns around, and feels something tighten around her throat. Homicide detective Ben Tolliver is surprised to get called in for a murder at the Plaza. Though Midtown may not be his beat, sex crimes are, and this one is especially chilling. Caroline was strangled, her face and body coated with grotesque makeup. The murder is baffling enough, but when the dead girl’s millionaire father gets involved, Tolliver’s investigation threatens to erupt into a circus where the main attraction is a killer who paints women like clowns.
Sharks of the Air
“[A] perfect blend of sympathetic career biography and gripping military history . . . a definite winner for all World War II military history buffs” (Library Journal). In July 1944, the Allies were stunned by the appearance of the Messerschmitt Me 262, the world’s first operational jet warplane. More than one hundred mph faster than any other aircraft in the skies, the Me 262 gained scores of victories over Allied fighters and bombers, and by the end of the war, many of the Luftwaffe’s greatest aces had clamored to be in their cockpits. Sharks of the Air tells the story of Willy Messerschmitt’s life and shows how this aeronautical genius built many revolutionary airplanes—not ex...
The Headsman
In a small town in upstate New York, a legend returns, hungry for blood Marcy is nearly asleep when she hears a heavy thump outside her bedroom door. It is not her father; it is not her boyfriend. Who could it be? She cannot help but imagine the headsman—the mythical town executioner who vanished from Braddock two centuries earlier and is said to return every so often, seeking payment in blood. She knows this is nothing but a silly legend—until her door creaks open and she sees the man with the ax. Across town, Karen dreams that she can see through the eyes of a murderer—the hulking monster that killed poor Marcy. When she wakes, she knows it was not a dream. The headsman has returned to Braddock, and hell gapes wide open behind him.
