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Like Unto Moses
"This exhaustive and important study of the meaning of Moses in the Bible demonstrates conclusively 'the Mosaicization of the canon'... Nohrnberg possesses a remarkable typological imagination. No summary can do justice to the sheer brilliance of the congruities and disparities he discovers on every page." -- Journal of Religion "LIKE UNTO MOSES proposes a series of challenging perspectives on theprocess of canon-formation in the Bible. James Nohrnberg's ability totrace connections among different elements of the biblical corpus isunflaggingly resourceful, sometimes provocative, and often deeplyinstructive." -- Robert Alter "... an insightful study of the traditions of Moses in the Bible." -...
An Ark on the Nile
The opening sector of the book of Exodus is a powerful narrative and a striking example of the artistic qualities of the Pentateuch, a facet of the text that occasionally is neglected in high-level scholarship. Exodus 1-2 is finely choreographed work that compresses a vast amount of material onto a limited textual canvas, creating a story that appeals to readers of every age. Resuming where the book of Genesis leaves off--the last image of Genesis 50 is a coffin in Egypt, primed for a sequel--the first two chapters of Exodus combine a fast-moving plot with some unique shades of characterization: Israel's growth in Egypt, the rise of a malevolent new king, the birth of a hero and early experi...
The Analogy of The Faerie Queene
This book combines an analysis of The Faerie Queene's, total form with an exposition of its allegorical content. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Interfaces of the Word
Drawing on a wide range of disciplines—linguistics, phenomenological analysis, cultural anthropology, media studies, and intellectual history—Walter J. Ong offers a reasoned and sophisticated view of human consciousness different in many respects from that of structuralism. The essays in Interfaces of the Word are grouped around the dialectically related themes of change or alienation and growth or integration. Among the subjects Ong covers are the origins of speech in mother tongues; the rise and final erosion of nonvernacular learned languages; and the fictionalizing of audiences that is enforced by writing. Other essays treat the idiom of African talking drums, the ways new media interface with the old, and the various connections between specific literary forms and shifts in media that register in the work of Shakespeare and Milton and in movements such as the New Criticism. Ong also discusses the paradoxically nonliterary character of the Bible and the concerted blurring of fiction and actuality that marked much drama and narrative toward the close of the twentieth century.
Ben Jonson and Envy
This book examines the centrality of envy in the works of Ben Jonson, Shakespeare's greatest literary rival.
The Automaton in English Renaissance Literature
The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new s...
Poetry in a World of Things
Introduction -- Subjectivity and the antiquarian object: Petrarch among the ruins of Rome -- Here comes objectivity: Spenser's 1590 the Faerie Queene, book 3 -- Playing with things: reification in Marlowe's Hero and Leander -- Feeling like a fragment: Shakespeare's the Rape of Lucrece -- Coda: make me not object
The Myth of Sisyphus
"The myth of Sisyphus symbolizes the archetypal process of becoming without the consolation of absolute achievement. It is both a poignant reflection of the human condition and a prominent framing text for classical, medieval, and renaissance theories of human perfectibility. In this unique reading of the myth through classical philosophies, pagan and Christian religious doctrines, and medieval and renaissance literature, we see Sisyphus, "the most cunning of human beings," attempting to transcend his imperfections empowered by his imagination to renew his faith in the infinite potentialities of human excellence."--BOOK JACKET
The Legitimacy of Poetic Reason
Many philosophical accounts of reason are geared toward providing rational justifications ex post facto rather than accounting for the role reason plays in actu in the process of creative work. Moreover, when in actu accounts of reason are given, they are usually too narrow to describe the sort of high-level creative work that is involved in the composition of poetry or the creation of a scientific theory. This book suggests that the rudiments of a broader account are found in various German Idealist figures, most notably the philosopher-novelist-critic Friedrich Schlegel and the philosophical poet and novelist Friedrich Hölderlin. However, German Idealism generally is subject to Hans Blume...
Blood Matters
In late medieval and early modern Europe, definitions of blood in medical writing were slippery and changeable: blood was at once the red fluid in human veins, a humor, a substance governing crucial Galenic models of bodily change, a waste product, a cause of corruption, a source of life, a medical cure, a serum appearing under the guise of all other bodily secretions, and—after William Harvey's discovery of its circulation—the cause of one of the greatest medical controversies of the premodern period. Figurative uses of "blood" are even more difficult to pin down. The term appeared in almost every sphere of life and thought, running through political, theological, and familial discourse...
