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Jim Osborne
While many cartoonists in the late '60s and early '70s were "turning on, tuning in, and dropping out," Jim Osborne was cut from a much darker cloth, delving into the extreme underbelly of American popular culture with unsettling comics about murder, conspiracy, and demons, both figurative and literal. This book collects all of Osborne's stories and illustrations from formative publications like Yellow Dog, Bijou Funnies, and National Lampoon, many republished here for the first time in decades.
Poems
None
Descendants of Caleb & James Osborne & Patrick Cragun
History of Caleb & Hannah Osborne from Rowan County, North Carolina including information on his son James Osborne and Mary Whitaker his wife from Russell County, Virginia. James was a successful business man and land owner. I have lots of documentation on James showing his various land and military activities during the Revolutionary War. Info with land records explaining about James Osborne living in Daniel Boone home, after Daniel moved to Kentucky. I also will have info on Patrick Cragun, his neighbors with his land record. Also info on his neighbors the fact that most of his neighbors came from Pennsylvania before arriving in Tennessee. Were they family or friends of Patrick? How are they connected?
Poems. Collected and Edited by James Osborne Writht
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
POEMS COLL & EDITED BY JAMES O
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
James Osborne Safford, Member of the Finance Committee of the Essex Institute from 1874 to 1883: A Sketch Read at the Annual Meeting, May, 1883
Reprint of the original, first published in 1883.
Spanish Colonial Style
An ode to the classic Spanish-style houses of Santa Barbara. Spanish Colonial Style celebrates an extraordinary tradition in architecture whose hallmarks include whitewashed stucco and plaster walls, wood-beamed ceilings, dramatic fireplaces, and, above all, mystery and romance. Homes in this much-loved style of architecture welcome the visitor and embrace the resident, and architects James Osborne Craig and Mary McLaughlin Craig, early proponents of the style and influential disseminators of it, were masters of the form. Their work, until now, has been largely underappreciated and little seen. The Craigs played pivotal roles in the development of the Spanish Colonial Revival and of other styles of architecture in Santa Barbara, and the influence of their work spread much beyond that. In addition to shining a long overdue spotlight on the rich career of these tremendously influential architects, Spanish Colonial Style also heralds Santa Barbara as the small city of international importance that it became in the first half of the twentieth century.
