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The Cinema of Sergei Parajanov
Sergei Parajanov (1924–90) flouted the rules of both filmmaking and society in the Soviet Union and paid a heavy personal price. An ethnic Armenian in the multicultural atmosphere of Tbilisi, Georgia, he was one of the most innovative directors of postwar Soviet cinema. Parajanov succeeded in creating a small but marvelous body of work whose style embraces such diverse influences as folk art, medieval miniature painting, early cinema, Russian and European art films, surrealism, and Armenian, Georgian, and Ukrainian cultural motifs. The Cinema of Sergei Parajanov is the first English-language book on the director's films and the most comprehensive study of his work. James Steffen provides a...
The South Western Reporter
Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.
Beyond Presidentialism and Parliamentarism
This book elaborates a theory of 'semi-parliamentary government', an often neglected form of government that instantiates the principle of the separation of powers, by demonstrating how it reconciles important benefits of both presidential and parliamentary systems.
The Searchers
Never before had they known such hope. In a world drenched in violence and oppression, here was a man armed with a message of peace and freedom. Into lives nearly overwhelmed by grief and sorrow, he brought compassion and healing and the deepest joy. To people who felt like outcasts and aliens, he showed the way home. And then, in one devastating night, all their hopes collapsed. This is where our story begins—in the valley of despair. It is a tale of two friends, a stranger, and a search for truth in a world gone mad with doubt. Historian Joseph Loconte unlocks the meaning of their exchange, set in the chaotic days following the execution of Jesus of Nazareth. Drawing from literature, film, philosophy, history, and politics, Loconte shows how this biblical drama is an integral part of our own story. Sooner or later, we will find ourselves among the searchers.
The Avant-Garde Feature Film
Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre. Included are works by such visionary filmmakers as David Lynch, Luis Bunuel, Jean Cocteau, Jean-Luc Godard, Guy Maddin and Derek Jarman. The first of the two appendices contains a filmography of key avant-garde feature films, from Haxan: Witchcraft Through the Ages (1922) to Maximum Shame (2010). The second appendix offers a brief list of directors who have made significant contributions to films that take alternative approaches to cinematic practice, establishing new grounds for analysis and evaluation.
Global Cinema Studies in Landscape Allegory
Global Cinema Studies in Landscape Allegory explores the narrative and stylistic approaches to imbuing natural settings in audiovisual media with a psychological dimension – or, in other words, configuring a ‘landscape’ to function beyond its typical role as a backdrop – and the cultural contexts for this aesthetic impulse. Contributors argue that while audiovisual allegory can be understood as inherently avant-garde, certain kinds of stories – and the ways in which they are presented – can be categorized as a ‘landscape allegory.’ Focusing on the idea of a ‘landscape’ in the most concrete and literal form, contributions drawing from a global spectrum of cultural contexts work toward establishing a fuller and more culturally diverse understanding of landscape allegory in cinema.
Wildlife Review
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