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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Despite the port’s prominence in maritime history, its cultural significance has long been neglected in favour of its role within economic and imperial networks. Defined by their intersection of maritime and urban space, port towns were sites of complex cultural exchanges. This book, the product of international scholarship, offers innovative and challenging perspectives on the cultural histories of ports, ranging from eighteenth-century Africa to twentieth-century Australasia and Europe. The essays in this important collection explore two key themes; the nature and character of ‘sailortown’ culture and port-town life, and the representations of port towns that were forged both within and beyond urban-maritime communities. The book’s exploration of port town identities and cultures, and its use of a rich array of methodological approaches and cultural artefacts, will make it of great interest to both urban and maritime historians. It also represents a major contribution to the emerging, interdisciplinary field of coastal studies.
This timely, engaging book provides an overview of the nature, logic, diversity and process of undertaking systematic reviews as part of evidence informed decision making. A focused, accessible and technically up-to-date book, it covers the full breadth of approaches to reviews from statistical meta analysis to meta ethnography. It is ideal for anyone undertaking their own systematic review - providing all the necessary conceptual and technical background needed to make a good start on the process. The content is divided into five clear sections: • Approaches to reviewing • Getting started • Gathering and describing research • Appraising and synthesising data • Making use of reviews/models of research use. Easy to read and logically structured, this book is essential reading for anyone doing systematic reviews. David Gough is Professor of Evidence Informed Policy and Practice and Director of SSRU and its EPPI-Centre and Co-Editor of the journal Evidence & Policy. Sandy Oliver is Professor of Public Policy and Deputy Director of SSRU and its EPPI-Centre. James Thomas is Reader in Social Policy, Assistant Director of SSRU and Associate Direcctor of the EPPI-Centre.
Despite all, with a profound philosophical optimism that better days were coming." From a black perspective, Jackson's work forms a particular and important testimony, both positive and negative, about life in the United States from the 1930s through the 1970s, and about life in the Army during the 1950s. One of Thomas's friends, noted producer and playwright Ned Bobkoff, wrote upon learning of the publication of the collection: "There is an indelible connection between.
"Thomas James shall be his name," the Messenger says mysteriously. "The world will change because of him." In the small town of Bethel, in a time not unlike our own, a child with a great purpose is born. Years later, alienated and abused by his peers, Thomas suffers a devastating loss. When it appears he has nothing left to live for his true calling begins. While trying to escape the sinister powers that be, a terrifying vision haunts him. Miraculous events seem to follow the peculiar young man as he struggles to come to terms with what he was born to do. The stage is set. The time is at hand. The truth will rise and a revolution will begin. The startling revelation of who Thomas James truly...
This book considers the ability of island jurisdictions with financial centres to meet the expectations of the international community in addressing the threats posed to themselves and others by their innocent (or otherwise) facilitation of the receipt of suspect wealth. In the global financial architecture, British Overseas Territories are of material significance. Through their inalienable right to self-determination, many developed offshore financial centres to achieve sustainable economic development. Focusing on Bermuda, Turks and Caicos, and Anguilla, the book concerns suspect wealth emanating from financial crimes including corruption, money laundering and tax evasion, as well as cont...
James 'Son Ford' Thomas: The Devil and His Blues accompanies the eponymous show at Studio Museum and New York University's 80WSE Gallery, the largest ever devoted to Thomas' work. Thomas (1926-1993)--a self-taught African-American artist and musician who lived in severe poverty for most of his life--created small, often painted clay busts of friends and family and people he met. "When I do my sculpturing work things just roll across my mind. I lay down and dream about the sculpture," he wrote. "That gives you in your head what to do. If you can't hold it in your head, you can't do it in your hand." Nearly 100 of these sculptures are displayed alongside full-bleed installation shots and text contributions by David Serlin, William Ferris, Thomas J. Lax and Kinshasha Holman Conwill, among others.
This book traces the relationship between the popular press and the Labour Party from the early twentieth century through the Second World War and up to the current day.
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