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The Big Rape: A Historical Novel of the Fall of Berlin was first published in 1952 by Esquire's war correspondent James Wakefield Burke (1904-1989). The book, historically accurate in terms of place and events, is a fictional account of a German woman - Lilo Markgraf - in Nazi Germany, and traces the fall of Berlin to the Russians, and the subsequent widespread rape and debauchery the Red Army soldiers inflicted on the populace. At first, Lilo is an ardent nationalist and in love with a German soldier, but following the rape of her mother and her younger sister by Russian soldiers, Lilo returns from a small town to Berlin to attempt her revenge. She later becomes the mistress of a Soviet NKVD officer, taking advantage of the protection and benefits he can provide her. Finally, with the coming of the Americans in their occupied portion of Berlin, she attempts to plan her future.
This book was first published in 1952 by Esquire's war correspondent James Wakefield Burke (1904-1989). The book, historically accurate in terms of place and events, is a fictional account of a German woman – Lilo Markgraf – in Nazi Germany, and traces the fall of Berlin to the Russians, and the subsequent widespread rape and debauchery the Red Army soldiers inflicted on the populace. At first, Lilo is an ardent nationalist and in love with a German soldier, but following the rape of her mother and her younger sister by Russian soldiers, Lilo returns from a small town to Berlin to attempt her revenge. She later becomes the mistress of a Soviet NKVD officer, taking advantage of the protection and benefits he can provide her. Finally, with the coming of the Americans in their occupied portion of Berlin, she attempts to plan her future. --summary taken from Amazon.com
Not long after the Allied victories in Europe and Japan, America's attention turned from world war to cold war. The perceived threat of communism had a definite and significant impact on all levels of American popular culture, from government propaganda films like Red Nightmare in Time magazine to Adventures of Rocky and Bullwinkle. This work examines representations of anti-communist sentiment in American popular culture from the early fifties through the mid-sixties. The discussion covers television programs, films, novels, journalism, maps, memoirs, and other works that presented anti-communist ideology to millions of Americans and influenced their thinking about these controversial issues. It also points out the different strands of anti-communist rhetoric, such as liberal and countersubversive ones, that dominated popular culture in different media, and tells a much more complicated story about producers' and consumers' ideas about communism through close study of the cultural artifacts of the Cold War. Instructors considering this book for use in a course may request an examination copy here.
A powerful and substantiated expose of the medical politics that prevents promising alternative cancer therapies from being implemented in the United States. • Focuses on Harry Hoxsey, the subject of the author's award-winning documentary, who claimed to cure cancer using herbal remedies. • Presents scientific evidence supporting Hoxsey's cancer-fighting claims. • Published to coincide with the anticipated 2000 public release of the government-sponsored report finding "noteworthy cases of survival" among Hoxsey patients. Harry Hoxsey claimed to cure cancer using herbal remedies, and thousands of patients swore that he healed them. His Texas clinic became the world's largest privately o...
This comprehensive study of the Scots-Irish in America has created a much greater awareness of the accomplishments and the durability of the hardy settlers and their families who moved to the New World during the 18th century and created a civilisation out of a wilderness.
A colorful account of five centuries of cowboy culture details the life, history, customs, status, job, equipment, and more of the cowboy from sixteenth-century Spanish Mexico to the present.
Looks at the Scots-Irish roots of Andrew Jackson, Sam Houston, and Davy Crockett, and offers information on their lives and times.
Charting the development of the 'Heimatfilm', Johannes von Moltke focuses on its heyday in the 1950s. Questions of what it could mean to call the German nation 'home' after World War II are present in these films and Moltke uses them as a lens to view contemporary discourses on German national identity.
Even as a pup, Davy Crockett "always delighted to be in the very thickest of danger." In his own inimitable style, he describes his earliest days in Tennessee, his two marriages, his career as an Indian fighter, his bear hunts, and his electioneering. His reputation as a b'ar hunter (he killed 105 in one season) sent him to Congress, and he was voted in and out as the price of cotton (and his relations with the Jacksonians) rose and fell. In 1834, when this autobiography appeared, Davy Crockett was already a folk hero with an eye on the White House. But a year later he would lose his seat in Congress and turn toward Texas and, ultimately, the Alamo.