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This book explores how fieldwork has been used to research Chinese history in the past and new ways that others might use in it the future. It introduces the previous generations of scholars who ventured out of the archive to conduct local investigations in Chinese cities, villages, farms and temples. It goes on to present the techniques of historical fieldwork, providing guidance on how to integrate oral history into research plans and archival research, conduct interviews, and locate sources in the field. Chapters by established researchers relate these techniques to specific types of fieldwork, including religion, the imperial past, natural environments and agriculture. Combining the past and the future of the craft, the book provides a rich resource for scholars coming new to fieldwork in the history of China.
Reverse Tradition invites the reader of postmodern fiction to travel back to the nineteenth-century novel without pretending to let go of contemporary anxieties and expectations. What happens to the reader of Beckett when he or she returns to Melville? Or to the enthusiast of Toni Morrison who rereads Charlotte Bronte? While Robert Kiely does not claim that all fictions begin to look alike, he finds unexpected and illuminating pleasures in examining a variety of ways in which new texts reflect on old. In this engaging book, Kiely not only juxtaposes familiar authors in unfamiliar ways; he proposes a countertradition of intertextuality and a way to release the genie of postmodernism from the bottleneck of the late twentieth century. Placing the reader's response at the crux, he offers arresting new readings by pairing, among others, Jorge Luis Borges with Mark Twain, and Maxine Hong Kingston with George Eliot. In the process, he tests and challenges common assumptions about transparency in nineteenth-century realism and a historical opacity in early and late postmodernism.
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
"This book offers a ... meditation on the lives of the saints and the images of them painted by Renaissance artists in Italy. Robert Kiely, a ... scholar of modernist literature and a historian and critic ... has a keen eye and uncanny ability to capture details of significance and to prompt the reader to look again and to see with fresh eyes that the lives of saints and the Renaissance depictions of them are anything but dull, uniform, or narrowly orthodox. His ... book treats saints seriously as human religious figures (not icons of perfection), brought to life by great Italian paintings in dialogue with scripture, legend, and poetry. ... Offering a rare combination of insight into religion, literature, and art, this ... volume should be by your side whenever you pick up a classic text, look at a Renaissance painting, or spend a few moments in private meditation or prayer.
One of the most dramatic seafaring tragedies ever ... Thirteen-year-old Finbar Kennedy runs away from home in Queenstown (Cobh) to follow his sea-captain father onto the Lusitania. On the return journey from New York, Finbar works as a deck-hand, and running messages gives him a lot of information. He begins to understand that something strange is happening. But what can he do? And whom can he trust? Fact is stranger than fiction: In May 1915 the huge liner, the Lusitania, sank off the Cork coast near the Old Head of Kinsale. This happened during the First World War. But, unlike the Titanic tragedy, this was no accident. The ship was torpedoed by a German submarine. Rumour had it that there were spies, arms and gold on board the Lusitania. These rumours were true.
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This is the World War I roll of honour of all Royal Navy, Royal Marines and Royal Naval Division men and women lost, including Dominions and Empire, 1914-1918. Information taken from Admiralty death ledgers, Admiralty communiqués and other official sources.