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Colonial New Englanders would have found our modern notions of free speech very strange indeed. Children today shrug off harsh words by chanting "sticks and stones may break my bones but names will never hurt me," but in the seventeenth century people felt differently. "A soft tongue breaketh the bone," they often said. Governing the Tongue explains why the spoken word assumed such importance in the culture of early New England. Author Jane Kamensky re-examines such famous Puritan events as the Salem witch trials and the banishment of Anne Hutchinson to expose the ever-present fear of what the puritans called "sins of the tongue." But even while dangerous or deviant speech was restricted, Kamensky points out, godly speech was continuously praised and promoted. Congregations were told that one should ones voice "like a trumpet" to God and "cry out and cease not." By placing speech at the heart of familiar stories of Puritan New England, Kamensky develops new ideas about the relationship between speech and power both in Puritan New England and, by extension, in our world today.
Stewart Jameson, a Scottish portrait painter fleeing his debtors in Edinburgh, has washed up on the British Empire's far shores—in the city of Boston, lately seized with the spirit of liberty. Eager to begin anew, he advertises for an apprentice, but the lad who comes knocking is no lad at all. Fanny Easton is a fallen woman from Boston's most prominent family who has disguised herself as a boy to become Jameson's defiant and seductive apprentice. Written with wit and exuberance by accomplished historians, Blindspot is an affectionate send-up of the best of eighteenth-century fiction. It celebrates the art of the Enlightenment and the passion of the American Revolution by telling stories of ordinary people caught up in an extraordinary time.
Acclaimed historian Jane Kamensky chronicles an indelible twentieth-century American life—and offers an entirely new understanding of the so-called sexual revolution. Whether in front of the camera or behind it, Candice Vadala understood herself as both an artist and an entrepreneur. As Candida Royalle (1950–2015)—underground actress, porn star, producer of adult movies, and staunch feminist—she made a business of pleasure. She helped crystalize the broader hedonistic turn in American life in the second half of the twentieth century: a period when the rules of sex were rewritten; when the white-hot “sex wars” cleaved feminism and realigned American politics; when Big Freud, Big D...
The Oxford Handbook of the American Revolution introduces scholars, students and generally interested readers to the formative event in American history. In thirty-three individual essays, the Handbook provides readers with in-depth analysis of the Revolution's many sides.
Spellbound: Women and Witchcraft in America is a collection of twelve articles that revisit crucial events in the history of witchcraft and spiritual feminism in this country. Beginning with the "witches" of colonial America, Spellbound extends its focus through the nineteenth century to explore women's involvement with alternative spiritualities, and culminates with examinations of the contemporary feminist neopagan and Goddess movements. A valuable source for those interested in women's history, women's studies, and religious history, Spellbound is also a crucial addition to the bookshelf of anyone tracing the evolution of spiritualism in America.
"A stunning biography…[A] truly singular account of the American Revolution." —Amanda Foreman, author of A World on Fire Through an intimate narrative of the life of painter John Singleton Copley, award-winning historian Jane Kamensky reveals the world of the American Revolution, rife with divided loyalties and tangled sympathies. Famed today for his portraits of patriot leaders like Samuel Adams and Paul Revere, Copley is celebrated as one of America’s founding artists. But, married to the daughter of a tea merchant and seeking artistic approval from abroad, he could not sever his own ties with Great Britain. Rather, ambition took him to London just as the war began. His view from abroad as rich and fascinating as his harrowing experiences of patriotism in Boston, Copley’s refusal to choose sides cost him dearly. Yet to this day, his towering artistic legacy remains shared by America and Britain alike.
"This publication accompanies the exhibition The Philosophy Chamber: Art and Science in Harvard's Teaching Cabinet, 1766-1820, on view at the Harvard Art Museums, Cambridge, Massachusetts, from May 19 through December 31, 2017, and at The Hunterian, University of Glasgow, Scotland, in 2018."
Traces the history of the Marshall Plan and the efforts to reconstruct western Europe as a bulwark against communist authoritarianism during a two-year period that saw the collapse of postwar U.S.-Soviet relations and the beginning of the Cold War.
Colonial New Englanders would have found our modern notions of free speech very strange indeed. Children today shrug off harsh words by chanting "sticks and stones may break my bones but names will never hurt me," but in the seventeenth century people felt differently. "A soft tongue breaketh the bone," they often said. Governing the Tongue explains why the spoken word assumed such importance in the culture of early New England. Author Jane Kamensky re-examines such famous Puritan events as the Salem witch trials and the banishment of Anne Hutchinson to expose the ever-present fear of what the puritans called "sins of the tongue." But even while dangerous or deviant speech was restricted, Kamensky points out, godly speech was continuously praised and promoted. Congregations were told that one should ones voice "like a trumpet" to God and "cry out and cease not." By placing speech at the heart of familiar stories of Puritan New England, Kamensky develops new ideas about the relationship between speech and power both in Puritan New England and, by extension, in our world today.