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Boys in Khaki, Girls in Print
Generously illustrated, Boys in Khaki, Girls in Print is a scholarly yet accessible illumination of a hitherto untapped resource of women's writing and makes an important new contribution to the study of the literature of the Great War."--BOOK JACKET.
It Began with the Marbles
Kelville-by-the-Sea, an outwardly quiet seaside town on the northeast coast of Scotland, has hired a new senior police officer, Helen Griffen. Hardened by a career spent policing in the city of Edinburgh, Helen looks forward to a peaceful last posting before retirement. But within her first few weeks on the job, Helen discovers that she's inherited a police sergeant who lives in the police station under an assumed name; a seven-year-old missing person case, or maybe a death; an American ballet troupe about to descend on the town, the ballet star a secretive enigma; and the mention of DNA tests sending a local family into a panic. Clearly, there is more to Kilvellie than sea glass, ice cream,...
Wilfred Owen
Wilfred Owen is the poet of pity, the voice of the soldier maimed, blinded, traumatised and killed, not just in the Great War, but in all wars since, so resonant has his message become. Although he saw only five of his poems published in his lifetime, he left behind a portfolio of poetry and letters that created a powerful legacy.This generously illustrated book tells the story of Wilfred Owen's life and work anew, from his birth in 1893 until his death one week before the Armistice on 4 November 1918. It chronicles Owen's journey from a romantic youth, steeped in the poetry of Keats, to mature soldier awakened to the horrors of the Western Front. Drawing on rich archival material such as pe...
Potterism
" CHAPTER I POTTERS Johnny and Jane Potter, being twins, went through Oxford together. Johnny came up from Rugby and Jane from Roedean. Johnny was at Balliol and Jane at Somerville. Both, having ambitions for literary careers, took the Honours School of English Language and Literature. They were ordinary enough young people; clever without being brilliant, nice-looking without being handsome, active without being athletic, keen without being earnest, popular without being leaders, open-handed without being generous, as revolutionary, as selfish, and as intellectually snobbish as was proper to their years, and inclined to be jealous one of the other, but linked together by common tastes and by a deep and bitter distaste for their father's newspapers, which were many, and for their mother's novels, which were more. These were, indeed, not fit for perusal at Somerville and Balliol. The danger had been that Somerville and Balliol, till they knew you well, should not know you knew it. In their first year, the mother of Johnny and Jane ('Leila Yorke, ' with 'Mrs. Potter' in brackets after it), had, after spending Eights Week at Oxford, [...]."
Potterism
1920. English novelist Macaulay's early novels were noted for their wit, urbanity and mild satire. Potterism begins: Johnny and Jane Potter, being twins, went through Oxford together. Johnny came up from Rugby and Jane from Roedean. Johnny was at Balliol and Jane at Somerville. Both, having ambitions for literary careers, took the Honours School of English Language and Literature. They were ordinary enough young people; clever without being brilliant, nice-looking without being handsome, active without being athletic, keen without being earnest, popular without being leaders, openhanded without being generous, as revolutionary, as selfish, and as intellectually snobbish as was proper to their years, and inclined to be jealous one of the other, but linked together by common tastes and by a deep and bitter distaste for their father's newspapers, which were many, and for their mother's novels, which were more. These were, indeed, not fit for perusal at Somerville and Balliol. The danger had been that Somerville and Balliol, till they knew you well, should not know you knew it. See other titles by this author available from Kessinger Publishing.
The Jurist ..
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Boys in Khaki, Girls in Print
Jane Potter rediscovers the neglected literature of war. Romance novels and active service memoirs are the focus of this critical, yet accessible, study. Illustrated throughout, it demonstrates the ways in which popular literature played its role in both the entertainment and the reassurance of the nation.
A History of World War One Poetry
Situating First World War poetry in a truly global context, this book reaches beyond the British soldier-poet canon. A History of World War One Poetry examines popular and literary, ephemeral and enduring poems that the cataclysm of 1914-1918 inspired. Across Europe, poets wrestled with the same problem: how to represent a global conflict, dominated by modern technology, involving millions of combatants and countless civilians. For literary scholars this has meant discovering and engaging with the work of men and women writing in other languages, on other fronts, and from different national perspectives. Poems are presented in their original languages and in English translations, some for the very first time, while a Coda reflects on the study and significance of First World War poetry in the wake of the Centenary. A History of World War One Poetry offers a new perspective on the literary and human experience of 1914-1918.
