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The Architecture of Error
Why the rise of redundant precision in architecture and the accompanying fear of error are key to understanding the discipline's needs, anxieties and desires. When architects draw even brick walls to six decimal places with software designed to cut lenses, it is clear that the logic that once organized relations between precision and material error in construction has unraveled. Precision, already a promiscuous term, seems now to have been uncoupled from its contract with truthfulness. Meanwhile error, and the always-political space of its dissent, has reconfigured itself. In The Architecture of Error Francesca Hughes argues that behind the architect's acute fetishization of redundant precis...
Gasworks to Gallery
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Issues in Contemporary Oil Paint
This volume represents 27 peer-reviewed papers presented at the ICOP 2013 symposium which will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings. The subject matter ranges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches.
Contemporary Art
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Women Artists and Modernism
Contributors from the UK, Canada, and the US demonstrate how different methodologies and approaches can be used to reveal the woman artist as a "subject" of histories of 20th-century art. They offer specific case studies of historical narratives, artworks, and individual artistic projects within modernism. Topics include women artists and suffrage cultures, gender and representation in the Harlem Renaissance, and the question of decadence in 1923. Paper edition (unseen), $27.95. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
The Architecture of the Museum
From the Louvre to the Bilbao Guggenheim and Tate Modern, the museum has had a long-standing relationship with the city. Examination of the meaning of museum architecture in the urban environment, considering issues such as forms of civic representation, urban regeneration, cultural tourism and the museumification of the city itself. Ranging from the seventeenth century to the present day, case-studies are drawn from Europe, South America and Australia. Contributions written by J.Birksted, V.Fraser, H.Lewi, D.J.Meijers and others.
Georges Braque
Together with Picasso and Matisse, Georges Braque is unquestionably one of the three great pillars of twentieth-century art. Here is the first full-length biography of this remarkable figure. A pioneer of modern art and founder of Cubism, Georges Braque was a creative genius and tireless innovator, constantly pushing back the boundaries of the possible. In this magisterial work, Alex Danchev taps a wide range of new sources to reveal the heart and mind of one who helped usher in the greatest revolution in the ways of seeing since the Renaissance and changed the face of modern art.
A Singular Vision
Biography of Dod Procter, artist known for her monumental figure paintings, sympathetic studies of the female form and the painting of still lifes.
Cornwall: A History
A new edition of Philip Payton’s modern classic Cornwall: A History, published now by University of Exeter Press, telling the story of Cornwall from earliest times to the present day. Drawing upon a wide range of original and secondary sources, it begins with Cornwall’s geology and prehistory, moving through Celtic times to the creation of the kingdom of Kernow and its relationship with neighbouring England. The political accommodation of medieval Cornwall by the expanding English state through the twin institutions of the Duchy and Stannaries is examined, as is the flowering in the middle ages of literature in the Cornish language. Resistance to English intrusion – in the rebellions o...
On the Very Edge of the Ocean
The story of the Porthmeor Studios is fundamental to the story of the development of modern art in St Ives. This study documents the development of the studios and the wide variety of artists who have worked there, including Ben Nicholson, Patrick Heron and Francis Bacon.
