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In the second half of the twentieth century, the Olympics played an important role in the politics of the Cold War and was part of the conflicts between the Capitalist Block, the Socialist Block and Third World countries. The Games of the New Emerging Forces (GANEFO) is one of the best examples of the politicization of sport and the Olympics in the Cold War era. From the 1980s onward, the Olympics has facilitated communication and cooperation between nations in the post–Cold War era and contributed to the formation of a new world order. In August 2016, the Games of the XXXI Olympiad were held in Rio de Janeiro, making Brazil the first South American country to host the Summer Olympics. Thi...
In 1968, the International Olympic Committee (IOC) implemented sex testing for female athletes at that year's Games. When it became clear that testing regimes failed to delineate a sex divide, the IOC began to test for gender--a shift that allowed the organization to control the very idea of womanhood. Ranging from Cold War tensions to gender anxiety to controversies around doping, Lindsay Parks Pieper explores sex testing in sport from the 1930s to the early 2000s. Pieper examines how the IOC in particular insisted on a misguided binary notion of gender that privileged Western norms. Testing evolved into a tool to identify--and eliminate--athletes the IOC deemed too strong, too fast, or too successful. Pieper shows how this system punished gifted women while hindering the development of women's athletics for decades. She also reveals how the flawed notions behind testing--ideas often sexist, racist, or ridiculous--degraded the very idea of female athleticism.
Papers based on a symposium forming part of the Third Chemical Congress of No America held in Toronto, June, 1988 They deal with reactive chemicals formed the body from foreign compounds, which can have toxic or carcinogenic properties, but which are not normally excreted or isolated in conventiona
Aboriginal Peoples and Sport in Canada uses sport as a lens through which to examine Aboriginal peoples’ issues of individual and community health, gender and race relations, culture and colonialism, and self-determination and agency. In this ground-breaking volume, leading scholars offer a multidisciplinary perspective on issues such as the clashing cultural imperatives that discourage Aboriginal athletes from participating at the national level; whether their needs are well served by the cultural values of sports psychology; and how unequal power relations influence the ability of different groups of Aboriginal people to implement their own visions for sport. The diverse analyses illuminate how Aboriginal people employ sport as a venue through which to assert their cultural identities and find a positive space for themselves and upcoming generations in contemporary Canadian society.
Told through the eyes of his daughter Evelyn, this is the true story of a father's fight to reclaim his children from the Irish government in the 1950s, now a major film. Desmond Doyle, 29, a painter and decorator, is married with six children and living in the infamous Fatima Mansions in Dublin in 1953. One day he comes home to find his wife has left him. He decides to go to England to find work and is advised to put his children into the state Industrial Schools system for a short time until he returns. When he returns he is told to his horror that the children have been consigned to the state until they are 16. This is the story of how Desmond Doyle fought the Irish legal system to change the law and win back his family.
In Nigeria, a frightened child puts an old roll of film into the hands of Dublin-bound teacher Sister Martha. In Dublin, ex-con Larry, with a wounded backside, has to get out of the city to rob a convent. Meanwhile, Scarab Oil plans to unleash its new clean fuel of the future. The film roll Martha is carrying attracts the urgent interest of some very powerful and ambitious people. A play written for two actors and filled with memorable characters, Little Thing, Big Thing is the latest production from the innovative and outstanding Irish theatre company Fishamble.