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Jasmina Cibic
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Jasmina Cibic
Slovenian artist Jasmina Cibic belongs to a young generation of artists who are engaging critically with the legacy of the former Yugoslavia. Set against this background, her exhibition Most Favored Nation questions the validity of the concept of international relationships that extends the same privileges of bilateral treaties to multilateral relationships. Cibic critically examines the mechanisms of nation-building and soft power as an indirect form of exercising power through cultural dominance. Decoding the complex entanglement of political concerns and cultural production, the London-based artist translates the political mechanisms influencing artists into room-filling installations, pe...
Jasmina Cibic, Stagecraft
Catalogue d'une installation vidéo dans laquelle la plasticienne a rassemblé plusieurs années de recherches consacrées à la notion de don dans le contexte diplomatique. Il rassemble des essais, le synopsis du film The gift, montré pour la première fois dans sa version complète, des vues de l'exposition et une sélection d'archives sur lesquelles l'artiste s'est appuyée pour concevoir le film.
Jasmina Cibic
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Spielraum
Spielraum' is a publication about Jasmina Cibic?s latest work, developed with the Ludwig Museum, Budapest; the International Centre of Graphic Arts, Ljubljana; and the Museum of Contemporary Art, Belgrade. Cibic is known for her investigation of how art and architecture are utilised as soft power strategies in the enterprise of nation building. Her works often gather and restage found materials that are in some way infused by the spectre of political ideology but that have, over time, changed in their performative function as enforcers of State identity. The title of the project is drawn from an essay by Karl Kraus, in which he vehemently opposes the use of decoration in both language and architecture. In this multidisciplinary work, Cibic takes Kraus?s concept of 'Spielraum' as a lens through which to examine strategies of nation building via the use of linguistic and visual decoration by political figures and establishments, with particular focus on the first summit of the Non-Aligned Movement in Belgrade (1961).
Jasmina Cibic
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Jasmina Cibic
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Jasmina Cibic
With her works, the Slovenian artist Jasmina Cibic (b. 1979) sheds light on social, political, and historical questions from the viewpoint of art.NADA is an impressive film trilogy that was developed in cooperation with the Kunstmuseen Krefeld, Aarhus, the European Capital of Culture 2017, and the MSU Zagreb.In it, she examines the socio-political interconnections of the cultural sector and scrutinizes mechanisms of power that play a role in the development of national identities.The trilogy culminates in her site-specific exhibition The Spirit of Our Needs in Haus Esters in Krefeld.This catalogue is a fully illustrated reader comprising archival material, texts, and an interview between the artist and Katia Baudin, Director of the Kunstmuseen Krefeld.Published on the occasion of the exhibition, Jasmina Cibic: The Spirit of Our Needs at Museum Haus Esters, Krefeld (1 October 2017 - 14 January 2018).English and German text.
