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Here is the definitive study of the Serbian painter Milan Konjović (1898 - 1993), best known for his landscapes and people of Vojvodina. This collection of essays by a group of international scholars situates his work within the context of his life and influences. Art historians Jasna Jovanov and Anna Novakov provide a reassessment of the life and art of Konjović; his ouevre is documented with reproductions of all of his major works.
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Revealing a vibrant and intertwined artistic scene in the Balkans On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918–1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged ‘on the very edge’ between territorial and cultural, new and old, modern and traditional identities. With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in plu...
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"By the end of World War II, Beljanski had amassed the most extensive collection of Serbian modernist art.... This study examines a quarter of the collection: forty-six objects by seven female artists." -- p. [13].
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