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Published on the occasion of the exhibition Inventing the Modern World: Decorative Arts at the World's Fairs, 1851-1939 held at the Nelson-Atkins Museum of Art, Kansas City, April 14-August 19, 2012, Carnegie Museum of Art, Pittsburgh, October 13, 2012- February 24, 2013, New Orleans Museum of Art, April 12- August 4, 2013 and Mint Museum, Charlotte, North Carolina, September 9, 2013 - January 19, 2014.
The New Australian Garden is an insider's account of the journey to design, construct and plant 18 landmark gardens that represent a new movement in Australian landscape design - one where the relationship between architecture and garden is paramount. Landscaper Michael Bates, working alone and in collaboration with some of the greatest design talents in the field, creates spaces that connect indoor to outdoor through masterful use of levels, innovative materials and experimental planting. Traditional lawns are reimagined as contoured sculptural forms, and water and fire pits inject life and energy into open spaces. The resulting gardens are destination spaces, sanctuaries and breathtaking backdrops for everyday life.
The year is 1987 and Playboy has just published scandalous photographs of Vanna White, from the popular TV game show Wheel of Fortune. For three teenage boys, Billy, Alf, and Clark, who are desperately uneducated in the ways of women, the magazine is somewhat of a Holy Grail: priceless beyond measure and impossible to attain. So, they hatch a plan to steal it.
Asks the hard questions about partnerships between big business and American universities.
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
“10-Minute Toughness is a solid mental training program. In fact I feel it is the best of its kind. . . . [It's] what the title says: ten minutes a day that connects your talents and abilities to the outcome you're seeking. As a retired NFL player looking forward, I can see as many applications for the toughness Jason Selk's program brought out of me in the business world as there were on the football field.” --Jeff Wilkins, Former NFL Pro Bowl Kicker “The mental side of the game is extremely important. 10-Minute Toughness helps the players develop the mental toughness needed for success; it really makes a difference.” --Walt Jocketty, General Manager of the 2006 World Champion St. L...
Kids bedrooms can be a series of challenges and charms from precious first drawings to piles of toys and dirty washing. I Love My Room showcases the charms and presents solutions for the challenges. Rather than a collection of immaculate childrens rooms created by interior designers, the pages are filled with spaces which celebrate the young occupants themselves. From whimsical nurseries to expressive teen rooms, you will find clever storage methods and inspiring ideas on how to decorate in a way that is true to your something-year-olds personality.
The animals in Beth Cavener's work are better described as avatars, embodiments of persons or emotions that disguise her subjects. In this way she gives her subjects an expanded identity, pairing each with an animal that, to one extent or another, explains or parallels their behavior. The animal reveals the subject's primal roots and serves as the lens through which we see the evolution of the subject into a modern being. We ultimately come to understand that the human and the animal are inexorably linked together. The dynamism of Beth Cavener's figures comes from the constant shifting in our minds from human to animal. It is kinetic, releasing emotional energy caused by the disparity between what we see--the animal form--and what we know--that this is a human portrait. Thus the fascination in Cavener's art is perpetual.
"This is the book on porcelain we have been waiting for. . . . A remarkable achievement."—Edmund de Waal, author of The Hare with Amber Eyes A sweeping cultural and economic history of porcelain, from the eighteenth century to the present Porcelain was invented in medieval China—but its secret recipe was first reproduced in Europe by an alchemist in the employ of the Saxon king Augustus the Strong. Saxony’s revered Meissen factory could not keep porcelain’s ingredients secret for long, however, and scores of Holy Roman princes quickly founded their own mercantile manufactories, soon to be rivaled by private entrepreneurs, eager to make not art but profits. As porcelain’s uses multi...
[Includes works by Arthur Ames, Jean Goodwin Ames, Laura Andreson, Karl Benjamin, Aldo Casanova, Paul Darrow, Rupert Deese, Phil Dike, Betty Davenport Ford, Robert Frame, Susan Hertel, James Hueter, Emil Kosa, Roger Kuntz, Martha Longenecker, Sam Maloof, William Manker, Douglas McClellan, Henry Lee McFee, Harrision McIntosh, Gertrde and Otto Natzler, Richard Petterson, Kay Sekimachi, Millard Sheets, Paul Soldner, Aolbert Stewart, Marion Stewart, Bob Stocksdale, James Strombotne, John Svenson, Robert E. Wood, Ellamarie and Jackson Woolley, Ward Youry and Milford Zornes.]