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The Shadow of Totalitarianism: Action, Judgment, and Evil in Politics
Examines the relationship of evil, action, and judgment in the work of Immanuel Kant, Hannah Arendt, and Jean-François Lyotard.
The Shadow of Totalitarianism
The Shadow of Totalitarianism develops a new way to think about the problem of evil in politics. Beginning with the commonplace idea that the rise of totalitarianism in the twentieth century marked the emergence of a new form of evil, Javier Burdman finds early seeds of thinking about this form in Immanuel Kant's moral philosophy. Far from being an isolated object of inquiry, evil, Burdman argues, has long shaped and been central to philosophical understandings of political action and judgment. Systematically analyzing the relationship between evil, action, and judgment in the work of Kant, Hannah Arendt, and Jean-François Lyotard, The Shadow of Totalitarianism aligns evil in politics with a desire for moral certainty, hence the emphasis on the need to accept and affirm uncertainty in current ethical theories. The careful philosophical analysis through which Burdman develops this inquiry contributes to a better understanding of some of the theoretical complexities involved in the problem of evil and provides conceptual tools with which to approach it.
Hannah Arendt: Challenges of Plurality
This volume explores challenges posed by plurality, as understood by Hannah Arendt, but also the opportunities it offers. It is an interdisciplinary collection of chapters, including contributions from different traditions of philosophy, political science, and history. The book offers novel perspectives on central issues in research on Arendt, reconfiguring the existing interpretations and reinforcing the line of interpretation illuminating the phenomenological facets of Arendt’s theory. The authors of the contributions to this volume decisively put the notion of plurality in the center of the collected interpretations, pointing out that plurality in its dialectic form of commonality, and ...
Modernity as Exception and Miracle
Proposes "the extraordinary" as a defining characteristic of modernity.
Chaos and Cosmos
Chaos and Cosmos offers a new and unique interpretation of Argentine essayist and fiction writer Jorge Luis Borges as a thinker of what continental twentieth century political theory called the political. While not a political writer in the traditional sense, Borges was indeed an author whose response to the advent of totalitarianism, in particular in its Nazi form, generated the most experimental, insightful, and rigorous short fiction and non-fiction political interrogation. As is well known, Borges’ writing went beyond originality; it created a genre of its own, and the Borgesian style is not limited to form. This Borgesian style fundamentally relates to how his response to the advent o...
Legal Form and the End of Law
Following the 100th anniversary of Pashukanis’ General Theory of Law and Marxism (1924), this volume aims to breathe new life into the main category of Pashukanian legacy, the concept of legal form. This book offers new, deeper and more general, ways in which the concept of legal form can be used to push forward Marxist – post-Marxist or hauntingly Marxist – legal theory. Accordingly, this book does not pledge allegiance to reconstructing and reconsidering the official interpretative legacy of the legal form. Instead, it mobilises the revolutionary conceptual potentialities that this term contains. When investigated thoroughly, and in many dimensions, the legal form becomes a privilege...
Contested Regime Collisions
This study of regime collisions in international law combines theoretical contributions by leading scholars in the field with case studies.
The Origins of Kant's Aesthetics
Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts.
Umbr(a): Writing
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Democracy and Empire
Democracy and Empire theorizes the material basis of popular sovereignty via the Black radical tradition. Popular sovereignty contains an affective attachment to wealth, secured through collective agreements to dominate others, i.e., self-and-other-determination. Inés Valdez expands on racial capitalism by theorizing its Anglo-European-based popular politics, which authorize capital accumulation enabled by empire and legitimated by racial ideologies. This stunts political projects in the Global South. Valdez masterfully outlines how social reproduction is provided by racialized others who sacrifice families and communities, and how the political alienation from nature in wealthy polities is mediated by technology and enabled by a joint devaluation of nature and manual labor performed by racialized others. The book concludes with a theorization of anti-imperial popular sovereignty based on political relations that encompass nature. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
