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"Wildly popular with Victorian readers, sensation fiction was condemned by most critics for scandalous content and formal features that deviated from respectable Victorian realism. Victorian Sensations is the first collection to examine sensation fiction as a whole, showing it to push genre boundaries and resist easy classification. Comprehensive in scope, this collection includes twenty original essays employing various critical approaches to cover a range of topics that will interest many readers." "Essays are organized thematically into three sections: issues of genre; sensational representations of gender and sexuality; and the texts' complex readings of diverse social and cultural phenomena such as class, race, and empire. The introduction reviews the critical reception of sensation fiction to situate these new essays within a larger scholarly context."--BOOK JACKET.
A dazzling collection of poetry, full of beauty and grace.' - Sonia Faleiro, author We see words becoming dance in Jaya's poetry'- Leo Spreksel, Artistic director, Korzo Festival, Netherlands 'In these poems, the colours, images, elements, rhythm and the flow of nature, the spins, swirls and ecstatic movements of the dancer become the poem, in which the meaning is dance itself.' - H S Shivaprakash, Kannada poet and playwright ' These poems will inspire everyone to listen to themselves and to the world around them.’ - Sayantani Dasgupta, author Art becomes life seasons the stage trees and flowers conspire till every art mingles, to lose itself, in the heart of the human. Just like the silk saree that evokes jewel-like emotions within its wearer, Jaya Mehta brings a rich and sumptuous feel to poetry in the Poetic Saree. The poems in this collection explore the moods and themes of Indian art, the delights of nature and the landscape of the heart. Performed at the India Dance Festival in Netherlands, published by the Levure Litteraire, and filmed as videos in the 'Poetic Saree project', these poems have already leapt off the written page.
These ground-breaking collections offer 200 texts from eleven languages, never before available in English or as a collection, along with a new reading of cultural history that draws on contemporary scholarship on women and India. This extraordinary body of literature and important documentary resource illuminates the lives of Indian women through 2,600 years of change and extends the historical understanding of literature, feminism, and the making of modern India. The biographical, critical, and bibliographical headnotes in both volumes, supported by an introduction which Anita Desai describes as "intellectually rigorous, challenging, and analytical," place the writers and their selections within the context of Indian culture and history.
In the first book centering on the collaborative relationship between Charles Dickens and Wilkie Collins, Lillian Nayder places their coauthored works in the context of the Victorian publishing industry and shows how their fiction and drama represent and reconfigure their sometimes strained relationship. She challenges the widely accepted image of Dickens as a mentor of younger writers such as Collins, points to the ways in which Dickens controlled and profited from his literary "satellites," and charts Collins's development as an increasingly significant and independent author. The pair's collaborations for Household Words and All the Year Round explicitly addressed Victorian labor disputes and political unrest, and Nayder reads the stories in terms of the social and imperial conflicts that both provided their themes and enabled Dickens and Collins to mediate their own personal and professional differences. Nayder's discussion of the collaboration and its principals is greatly enriched by archival research into unpublished and unfamiliar material, including the manuscripts of The Frozen Deep.
R.P. Kangle, 1899-1989, Sanskrit scholar; contributed articles.
For many centuries, Hindus have taken it for granted that the religious images they place in temples and home shrines for purposes of worship are alive. Hindu priests bring them to life through a complex ritual "establishment" that invokes the god or goddess into material support. Priests and devotees then maintain the enlivened image as a divine person through ongoing liturgical activity: they must awaken it in the morning, bathe it, dress it, feed it, entertain it, praise it, and eventually put it to bed at night. In this linked series of case studies of Hindu religious objects, Richard Davis argues that in some sense these believers are correct: through ongoing interactions with humans, r...
In this study of Victorian jewels and their representation, Jean Arnold explores the role material objects play in the cultural cohesion of the West. Diamonds and other gems, Arnold argues, symbolized the most closely held beliefs of the Victorians and thus can be considered "prisms of culture." Mined in the far reaches of the empire, they traversed geographical space and cultural boundaries, representing monetary value and evoking empire, class lineage, class membership, gender relations, and aesthetics. Arnold analyzes the many roles material objects fill in Western culture and surveys the cross-cultural history of the Victorian diamond, uncovering how this object became both preeminent an...
Drawing on an unusually rich empirical base, this timely and compelling book examines how environmental values are constructed and legitimized within the policy process. It trains the spotlight on four environmentally significant countries - China, Japan, India, and the United States - representing a wide diversity of cultural, social, economic, and political characteristics. Through a combination of case studies and comparative analysis, the contributors illuminate cultural assumptions, standards, and analytic techniques that shape environmental actions and policies around the world. "Forging Environmentalism" provides valuable direction regarding what can be done to secure public support for environmental policies. Incorporating expert legal, economic, philosophical, sociological, and political perspective points the way toward the possibilities for a convergence of environmental norms and values across diverse cultures.
By 1840, the epistolary novel was dead. Letters in Victorian fiction, however, were unmistakably alive. Postal Plots explores how Victorian postal reforms unleashed a new and sometimes unruly population into the Victorian literary marketplace where they threatened the definition and development of the Victorian literary professional.