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Victorian Sensations
"Wildly popular with Victorian readers, sensation fiction was condemned by most critics for scandalous content and formal features that deviated from respectable Victorian realism. Victorian Sensations is the first collection to examine sensation fiction as a whole, showing it to push genre boundaries and resist easy classification. Comprehensive in scope, this collection includes twenty original essays employing various critical approaches to cover a range of topics that will interest many readers." "Essays are organized thematically into three sections: issues of genre; sensational representations of gender and sexuality; and the texts' complex readings of diverse social and cultural phenomena such as class, race, and empire. The introduction reviews the critical reception of sensation fiction to situate these new essays within a larger scholarly context."--BOOK JACKET.
The Poetic Saree
A dazzling collection of poetry, full of beauty and grace.' - Sonia Faleiro, author We see words becoming dance in Jaya's poetry'- Leo Spreksel, Artistic director, Korzo Festival, Netherlands 'In these poems, the colours, images, elements, rhythm and the flow of nature, the spins, swirls and ecstatic movements of the dancer become the poem, in which the meaning is dance itself.' - H S Shivaprakash, Kannada poet and playwright ' These poems will inspire everyone to listen to themselves and to the world around them.’ - Sayantani Dasgupta, author Art becomes life seasons the stage trees and flowers conspire till every art mingles, to lose itself, in the heart of the human. Just like the silk saree that evokes jewel-like emotions within its wearer, Jaya Mehta brings a rich and sumptuous feel to poetry in the Poetic Saree. The poems in this collection explore the moods and themes of Indian art, the delights of nature and the landscape of the heart. Performed at the India Dance Festival in Netherlands, published by the Levure Litteraire, and filmed as videos in the 'Poetic Saree project', these poems have already leapt off the written page.
Nisha's Just-Right Christmas Tree
Based on a true story from author Jaya Mehta's childhood, Nisha's Just-Right Christmas Tree beautifully demonstrates a blend of cultures as Nisha's family begins their celebration of Christmas by finding the perfect Christmas tree.
Perennial Decay
When Oscar Wilde was convicted of gross indecency in 1895, a reporter for the National Observer wrote that there was "not a man or a woman in the English-speaking world possessed of the treasure of a wholesome mind who is not under a deep debt of gratitude to the marquis of Queensberry for destroying the high Priest of the Decadents." But reports of the death of decadence were greatly exaggerated, and today, more than one hundred years after the famous trial and at the beginning of a new millennium, the phenomenon of decadence continues to be a significant cultural force. Indeed, "decadence" in the nineteenth century, and in our own period, has been a concept whose analysis yields a broad set of associations. In Perennial Decay, Emily Apter, Charles Bernheimer, Sylvia Molloy, Michael Riffaterre, Barbara Spackman, Marc Weiner, and others extend the critical field of decadence beyond the traditional themes of morbidity, the cult of artificiality, exoticism, and sexual nonconformism. They approach the question of decadence afresh, reevaluating the continuing importance of late nineteenth-century decadence for contemporary literary and cultural studies.
Women Writing in India: The twentieth century
These ground-breaking collections offer 200 texts from eleven languages, never before available in English or as a collection, along with a new reading of cultural history that draws on contemporary scholarship on women and India. This extraordinary body of literature and important documentary resource illuminates the lives of Indian women through 2,600 years of change and extends the historical understanding of literature, feminism, and the making of modern India. The biographical, critical, and bibliographical headnotes in both volumes, supported by an introduction which Anita Desai describes as "intellectually rigorous, challenging, and analytical," place the writers and their selections within the context of Indian culture and history.
Unequal Partners
In the first book centering on the collaborative relationship between Charles Dickens and Wilkie Collins, Lillian Nayder places their coauthored works in the context of the Victorian publishing industry and shows how their fiction and drama represent and reconfigure their sometimes strained relationship. She challenges the widely accepted image of Dickens as a mentor of younger writers such as Collins, points to the ways in which Dickens controlled and profited from his literary "satellites," and charts Collins's development as an increasingly significant and independent author. The pair's collaborations for Household Words and All the Year Round explicitly addressed Victorian labor disputes and political unrest, and Nayder reads the stories in terms of the social and imperial conflicts that both provided their themes and enabled Dickens and Collins to mediate their own personal and professional differences. Nayder's discussion of the collaboration and its principals is greatly enriched by archival research into unpublished and unfamiliar material, including the manuscripts of The Frozen Deep.
Colonial Law in India and the Victorian Imagination
Examines the shared cultural genealogy of popular Victorian novels and judicial opinions of the Privy Council.
Raj
A sprawling, extravagant saga, Raj is at heart the story of Maharani Jaya Singh. Spanning nearly half a century, the novel takes in its sweep both Jaya’s coming of age as the ruler of her state, Balmer, as well as the drama of India’s struggle for independence. Powerful, enlightening and compulsively readable, Raj is one of the great historical novels of our time.
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
BollySwar: 1991 - 2000
BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 7 chronicles the Hindi film music of the decade between 1991 and 2000. This volume catalogues more than 1000 films and 7000 songs, involving more than 1000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic informat...
