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Free Press
Taking its collective name from the wartime "underground press" of Europe's anti-Nazi resistance, the publications examined here were all members of the Underground Press Syndicate (later renamed the Alternative Press Syndicate), founded in 1967 so that member papers could freely share and reprint material. This utopian model resulted in an explosion of alternative publications worldwide as every small start-up had access to the work of soon-to-be famous writers, journalists, artists, and graphic designers. Among the notable figures whose work has appeared in these pages are Hunter S. Thompson, T. Coraghessan Boyle, Ken Kesey, R. Crumb, Art Spiegelman—to name only a few. The underground pr...
200 Trips from the Counterculture
Packed with words and graphics, this nostalgic tour de force illustrates and celebrates the 60s and 70s heyday of alternative magazine publishing in Europe and America, reproducing images from magazines both seminal and obscure whose influence continues to reverberate through culture, politics and society. It will be a must-buy for retro graphics fans and for anyone interested in 60s counterculture.
The Gate
"In 1971, on a routine outing through the Cambodian countryside, the young French scholar Francois Bizot was captured by the Khmer Rouge. Accused of being an agent of American imperialism, he was chained and imprisoned.
CHARBON
Entering the intimacy of the alternative Parisian scene, CHARBON portrays a new generation of artists: authors, photographers, illustrators, performers, musicians, poets. “My muses may not be yours, my monsters may not please you.” They all let their thoughts drift away during nights, performances, conversations, and art. ISBN13: 9780995761148 Publishing director: Sarah Kahloun, KAHL Editions
The Unacceptable
Confronting the issue of the unacceptable as a social category, this collection of international essays provides distinctive perspectives on the theme of what is deemed socially acceptable. The book reveals the ways category of the unacceptable reflects sexual, racial and political fault-lines of a society.
Trans/acting Culture, Writing, and Memory
Trans/acting Culture, Writing, and Memory is a collection of essays written in honour of Barbara Godard, one of the most original and wide-ranging literary critics, theorists, teachers, translators, and public intellectuals Canada has ever produced. The contributors, both established and emerging scholars, extend Godard’s work through engagements with her published texts in the spirit of creative interchange and intergenerational relay of ideas. Their essays resonate with Godard’s innovative scholarship situated at the intersection of such fields as literary studies, cultural studies, translation studies, feminist theory, arts criticism, social activism, institutional analysis, and publi...
An Anthology of French and Francophone Singers from A to Z
Every musical form has had an impact on the linguistic practices of our society. French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to French song and its linguistic uses. This richly illustrated mini-dictionary about French singers fills...
Awakening Spaces
The fast-paced zouk of Kassav', the romantic biguine of Malavoi, the jazz of Fal Frett, the ballads of Mona, and reggae of Kali and Pôglo are all part of the burgeoning popular music scene in the French Caribbean. In this lively book, Brenda F. Berrian chronicles the rise of this music, which has captivated the minds and bodies of the Francophone world and elsewhere. Based on personal interviews and discussions of song texts, Berrian shows how these musicians express their feelings about current and past events, about themselves, their islands, and the French. Through their lyrical themes, these songs create metaphorical "spaces" that evoke narratives of desire, exile, subversion, and Creole identity and experiences. Berrian opens up these spaces to reveal how the artists not only engage their listeners and effect social change, but also empower and identify themselves. She also explores the music as it relates to the art of drumming, and to genres such as African American and Latin jazz and reggae. With Awakening Spaces, Berrian adds fresh insight into the historical struggles and arts of the French Caribbean.
French Cartoon Art in the 1960s and 1970s
Pilote’s unique position in a new and fast developing youth press market The French comic magazine Pilote hebdomadaire arrived in a weakening comics market in 1959 largely dominated by syndicated translations of American comics and comics inspired by a Catholic ethos. It tailored its content and tone to an older adolescent reader far removed from that of France’s infant comic. Pilote’s profile set it on a turbulent course subject to the vicissitudes and fickleness of fashion which situated it within an emerging teenager press under pressure to renew and innovate to survive. When it made cartoons its defining characteristic in 1963, Pilote articulated its uniqueness by channelling teena...
