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Jean-Pierre Raynaud
None
Eye on Europe
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
Rendezvous
Udgivet i forbindelse med udstilling på Solomon R. Guggenheim Museum, New York, 16.1.1998-24.1.1999
Parkett
None
"Nouveau R?isme, 1960s France, and the Neo-avant-garde "
Jill Carrick's Nouveau R?isme, 1960s France, and the Neo-avant-garde provides the first in-depth historical analysis of the "New Realism" movement and the critical and theoretical debates it engaged. This text makes available a new corpus of material - the rich historical and theoretical analysis as well as the fascinating photographic documentation of artists and works - from one of the most significant French art movements of the post-World War II period, whose literature has up to now been dominated by the terms of its founder, Pierre Restany. The illustrations and surprising contextual material - many of which have been unearthed by the author's archival research - document artwork, artists' collaborations, and ephemeral events.
Georges Auric
The first English-language biography of this major French film composer, George Auric: A Life in Music and Politics examines not only the impact of Auric's leftist politics on his work, but also the myriad roles he held outside of film composition - including but not limited to music critic, opera director, and arts administrator.
The Order of Time and Things
This exhibition is neither a retrospective nor an anthology. A visit to her home-studio in Hamburg has originated an itinerary that permits the discovery of a place and the passage of time accumulated in it. Some of the pieces selected were suggested by that visit. Homer. Odyssey (1971), that initial encyclopedia of all narratives, together with Milieu (1979-1980) or Kosmos (1985) burst in like journeys through latitudes as close in their materialization as they are distant in their mysteries. An attempt has been made to detect the coordinates that allow us to situate ourselves vis-à-vis the network of references that make up her particular universe. This exhibition will always be an invitation and a representation, the exaltation of the moments of a life and an oeuvre through things, their narratives and their images. Revealing the universe of the home-studio of Hanne Darboven in the exhibition space of a museum gives rise to an approach to her work on the basis of her life, and vice versa.
Mégevette à travers les siècles
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Every Day
11th biennale of Sydney: everyday.
