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The Barbarian Invasions
How the history of art begins with the myth of the barbarian invasion—the romantic fragmentation of classical eternity. The history of art, argues Éric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood—and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of “races” and “peoples” rather than the creation of individuals. The myth of th...
The Uses of Art in Public Space
This book links two fields of interest which are too seldom considered together: the production and critique of art in public space and social behaviour in the public realm. Whilst most writing about public art has focused on the aesthetic, cultural and political intentions and processes that shape its production, this edited collection examines a variety of public artworks from the perspective of their actual everyday use. Contributors are interested in the rich diversity of peoples’ engagements with public artworks across various spatial and temporal scales, encounters which do not limit themselves to the representational aspects of the art, and which are not necessarily as the artist, curator or sponsor intended. Case studies consider a broad range of public art, including commissioned and unofficial artworks, memorials, street art, street furniture, performance art, sound art and media installations.
Objets & mémoires
None
Le Dauphiné
None
Cannibalismes disciplinaires
Ce volume est issu du colloque "Histoire de l'art et anthropologie" qui s'est tenu du 21 au 23 juin 2007
History and Art History
Through a series of cross-disciplinary and interdisciplinary interventions, leading international scholars of history and art history explore ways in which the study of images enhances knowledge of the past and informs our understanding of the present. Spanning a diverse range of time periods and places, the contributions cumulatively showcase ways in which ongoing dialogue between history and art history raises important aesthetic, ethical and political questions for the disciplines. The volume fosters a methodological awareness that enriches exchanges across these distinct fields of knowledge. This innovative book will be of interest to scholars in art history, cultural studies, history, visual culture and historiography.
L'Avènement de la surface à travers une poïétique de la peinture
L'ouvrage est un essai sur la nature de la surface picturale. Peintre et professeure d'art plastique, l'auteure évoque les ambiguïtés et les tensions inhérentes au tableau, qui se présente à la fois comme un passage et une cloison, entre profondeur et superficialité, épiderme et vision intérieure, fond et forme.
Nothing is Lost, Nothing is Created, Everything is Transformed
Overvejende canadiske kunstnere, men enkelte andre også
Writing for Social Scientists
The classic guide to avoiding pitfalls and achieving success in academic writing—in a fully updated edition with a new preface by the author. For decades, Writing for Social Scientists has been a lifeboat for academic writers of all fields, from beginning students to seasoned professionals. With reassuring candor, author and sociologist Howard S. Becker identifies some of the common problems all academic writers face, including from procrastination and stifling perfectionism to getting caught up in the trappings of “proper” academic writing, and struggling with the when and how of citations. He then offers concrete advice, based on his own experiences and those of his students and colleagues, for overcoming these obstacles and gaining confidence as a writer. This new edition has been updated throughout to reflect the contemporary landscape of academic writing, offering a new generation of scholars and students encouragement to write about society or any other scholarly topic clearly and persuasively. As academics are called upon to write more often, in more formats, Writing for Social Scientists continues be an important resource for any writer’s shelf.
