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Romantic Women Writers
Essays forging a new definition of Romanticism that includes the wide range of women's artistic expression.
Women in British Romantic Theatre
First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.
Mary Shelley in Her Times
“Some of the strongest essays of recent times on Shelley’s work . . . A valuable piece of criticism.” —Byron Journal Mary Shelley is largely remembered as the author of Frankenstein, as the wife of Percy Bysshe Shelley, and as the daughter of William Godwin and Mary Wollstonecraft. This collection of essays, edited by Betty T. Bennett and Stuart Curran, offers a more complete and complex picture of Mary Shelley—author of six novels, five volumes of biographical lives, two travel books, and numerous short stories, essays, and reviews—emphasizing the full range and significance of her writings in terms of her own era and ours. Mary Shelley in Her Times brings fresh insight to the l...
Blake, Ethics, and Forgiveness
It demonstrates that Blake's protests are directed to laws based on obligation, which assume that all human persons are essentially alike, while Blake's advocacy of forgiveness among human beings assumes an ethics of character based on the cultivation of virtues.
'Our Own Fair Italy'
This study proposes that in their writing about the region, women travel writers made a significant contribution to the changing representation of Italy and to their own changing reputation as professional writers. Between 1800 and 1844 there was a significant shift in the way in which Italy was both perceived and discussed as the tradition of the 'Grand Tour' waned and new types of travellers made trips to Europe. Encouraged by changes in the cost, ease and motivations for travel, unprecedented numbers of women travelled to Italy and published their accounts. Focussing on the pivotal works of five women writers - Mariana Starke, Mary Shelley, Charlotte Eaton, Anna Jameson and Lady Morgan - this book assesses the developments made by these women to a number of genres of travel writing and to the political and aesthetic representation of Italy.
Rebellious Hearts
This pathbreaking collection engages in the important new work of rediscovering the hundreds of British women writing during the Romantic period, women who we now realize were central, not marginal, to the poetics and ideologies of Romanticism. Yet no previous volume has focused on British women's responses to the French Revolution and the Napoleonic wars, or on their participation in the social, economic, religious, and poetic debates surrounding these political conflicts. As the first book to represent the full spectrum of women's participation in the Revolutionary debates, Rebellious Hearts uncovers a rich new field of literary and historical scholarship.
Traveling Bodies
Traveling Bodies: Interdisciplinary Perspectives on Traveling as an Embodied Practice explores the central role the body has in and for traveling and thus complements and expands upon existing research in travel studies with new perspectives on and insights in the entanglement of bodies and traveling. The case studies assembled in this volume discuss a variety of traveling practices, experiences, and media with chapters featuring Asian, American, and European historical and contemporary perspectives. Truly interdisciplinary in its approach, the volume identifies and examines diverse literary, historical and cultural texts, contexts, and modes in which traveling and the body intersect, including ‘classic’ travelogues, (new) media (e.g., film, digital travel apps), surf culture, and travel-inspired tattoos. The contributions offer various avenues for further research, not only for scholars working with body theory and travel (writing), but also for anyone interested in the intersections of literature, culture, media, and embodied practices of traveling.
Anger, Revolution, and Romanticism
The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their relationship to the aggressive passions in the wake of the French Revolution. Drawing on diverse fields and discourses such as aesthetics, politics, medicine and the law and tracing the classical legacy the Romantics inherited, Stauffer charts the period's struggle to define the relationship of anger to justice and the creative self. In their poetry and prose, Romantic authors including Blake, Coleridge, Godwin, Shelley and Byron negotiate the meanings of indignation and rage amidst a clamourous debate over the place of anger in art and in civil society. This innovative book has much to contribute to the understanding of Romantic literature and the cultural history of the emotions.
Animal Subjects
Although Cultural Studies has directed sustained attacks against sexism and racism, the question of the animal has lagged behind developments in broader society with regard to animal suffering in factory farming, product testing, and laboratory experimentation, as well in zoos, rodeos, circuses, and public aquariums. The contributors to Animal Subjects are scholars and writers from diverse perspectives whose work calls into question the boundaries that divide the animal kingdom from humanity, focusing on the medical, biological, cultural, philosophical, and ethical concerns between non-human animals and ourselves. The first of its kind to feature the work of Canadian scholars and writers in this emergent field, this collection aims to include the non-human-animal question as part of the ethical purview of Cultural Studies and to explore the question in interdisciplinary terms.
Green and Pleasant Land
The present volume, number VIII in the series Groningen Studies in Cultural Change, offers a selection of papers presented at a workshop organised by Amanda Gilroy and Wil Verhoeven entitled Green and Pleasant Land: English Culture and the Romantic Countryside. The contributions in this volume illuminate the ideological investments of particular ways of experiencing the English countryside of the Romantic era. While their analyses of cultural change are historically specific, they explore, too, the conflicted present-day legacies of romantic landscapes.
